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Sāhitya (CLAI Web-journal General Issue)

updated: 
Thursday, September 7, 2017 - 10:41am
Comparative Literature Association of India
deadline for submissions: 
Saturday, September 30, 2017

Call for Papers

Radio and Audio Media, PCA/ACA Conf. Indianapolis March 2018

updated: 
Thursday, September 7, 2017 - 10:41am
Radio and Audio Media Area, Popular Culture Association/American Culture Association
deadline for submissions: 
Sunday, October 1, 2017

POPULAR CULTURE AMERICAN CULTURE ASSOCIATION CONFERENCE

MARCH 27-31, INDIANAPOLIS, INDIANA

 

RADIO AND AUDIO MEDIA AREA

DEADLINE FOR SUBMISSION:  OCTOBER 1, 2017

 

Metacritic Journal for Comparative Studies and Theory - Call for papers

updated: 
Thursday, September 7, 2017 - 10:40am
Babes-Bolyai University, Cluj-Napoca
deadline for submissions: 
Friday, September 15, 2017

Metacritic Journal for Comparative Studies and Theory

 

issue 3.2, December 2017

Call for papers

 Every December issue of the Metacritic Journal for Comparative Studies and Theory will be a non-themed collection of papers written by established scholars and young researchers alike, welcoming contributions which detail results of conceptual and analytical work, as well as reviews of books published 3 years in advance, the earliest. Would-be contributors are invited to send articles illustrating the complexities of their field of choice, engaging with literary and cultural theory so as to promote reading in a customized framework that privileges interdisciplinarity and self-reflection.

REMINDER: Modernism's World Languages

updated: 
Thursday, September 7, 2017 - 10:40am
NeMLA 2018: Pittsburgh, PA (April 12-15)
deadline for submissions: 
Saturday, September 30, 2017

As Douglas Mao and Rebecca Walkowitz indicate in their article “The New Modernist Studies,” recent trends in modernist studies have operated a radical revision of the term “modernism,” moving away from the idea that modernism is confined to a single place (Europe, North America, and the West in general) or a single time (roughly 1890-1940). As the map of “transnational” and “global” modernisms expands, ever more attention has been given to new languages, phenomena of bilingualism and multilingualism, and translation as a fundamental practice in modernist writing (Yao, Rogers).