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Sc[Arti] Reflections on the remnant between selection and divergence

Tuesday, June 12, 2018 - 5:51am
Doctorate in Linguistic, Literary and Intercultural Studies in European and extra-European Perspectives of the University of Milan
deadline for submissions: 
Monday, June 25, 2018

 The Doctorate in Linguistic, Literary and Intercultural Studies in European and extra-European Perspectives of the University of Milan is pleased to announce the organization of the Sc[Arti] conference to be held at the University of Milan on 7, 8 and 9 November 2018.  Flotsam does not exist in itself: there are no concepts nor entities that intrinsically possess this connotation. Rather, "flotsam" is the residue of a selection process based on shared convictions and conventions, which takes place in time and space according to individual and community dynamics.

Doris Lessing Studies Updated CFP: Open Topic

Tuesday, May 29, 2018 - 8:57am
Doris Lessing Studies/Doris Lessing Society
deadline for submissions: 
Friday, June 15, 2018

Updated Call for Papers, Doris Lessing Studies 2018: Special Topic & Open Topic

 Special topic

“Alternative Domesticities in the Works of Doris Lessing.” 

Following Jenni Diski’s 2016 memoir, In Gratitude, we invite new readings of Lessing’s portrayals of non-biological families, non-normative modes of affiliation and dependence, and unconventional households and genealogies.

 Open topic

50th NeMLA - Call for GERMAN Session Proposals

Friday, May 25, 2018 - 12:39pm
Northeast Modern Language Association
deadline for submissions: 
Tuesday, May 29, 2018

Dear Colleagues,


Please consider proposing a German session at the 50th NeMLA Annual Convention to be held in Washington, DC, on March 21-24, 2019.


The deadline to propose a session is May 29, 2018. To propose a session (traditional paper session or a roundtable) please follow the link: http://www.buffalo.edu/nemla/convention/session.html.


Please do not hesitate to get in touch with me (pichugin@rutgers.edu) if you have any questions about NeMLA German Area, from proposing a session to networking opportunities. I will be glad to help.


Collection: Essays Examining Franchise Storytelling

Friday, May 25, 2018 - 12:38pm
Rhonda Knight / Coker Col. and Donald Quist / U. of Missouri
deadline for submissions: 
Monday, July 16, 2018

We Want the Wilderness: Essays Examining Franchise Storytelling


We contend that inventive storytelling within media franchises, such as Star Wars and Marvel, becomes hampered by the commercial needs of business on one side and the fans’ desires for continuity and references—in the forms of callbacks—on the other. We Want the Wilderness: Essays Examining Franchise Storytelling will look for moments when content producers were able to skillfully negotiate (or avoid all together) these dual pressures or, conversely, when these pressures created insurmountable obstacles to storytelling.

2019 Michigan State University Comics Forum

Friday, May 25, 2018 - 12:36pm
Michigan State University
deadline for submissions: 
Monday, September 24, 2018

2019 Michigan State University Comics Forum

Academic Panels - Call for Submissions


The Michigan State University Comics Forum - http://www.comicsforum.msu.edu- is an annual academic conference that brings together scholars, creators, and fans in order to explore and celebrate the medium of comics, graphic storytelling, and sequential art. In its eleventh year, the Comics Forum is scheduled to take place February 22-23, 2019 at the Michigan State University Main Library, which houses the world’s largest public collection of comic books. This year’s event will feature keynote addresses from Seth and Qiana Whitted.


Second International Conference "Science in culture"

Friday, May 25, 2018 - 9:15am
University of St Andrews
deadline for submissions: 
Thursday, May 31, 2018

Before social welfare could exist, it needed to be imagined.

The epoch when the full establishment of the concept of the welfare state in the U.K. and other European countries occurred, 1890-1948, indeed coincides with the phenomenon of European Modernism, conceived here not just as an aesthetic, but as a socio-political phenomenon of visionary reform. The dazzling achievements of the 1890s-1940s interms of modernist arts have been minutely charted over the past decades, and the modernist context superbly brought to life. While much has been made of the interactions between Modernism / suffrage or Modernism / war, however, another epoch-making social revolution was underway, whose correlation with the arts remains more tenuous.