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(Un)Earthing: Roots, Relations, and Revelations

updated: 
Monday, June 18, 2018 - 9:35am
New Voices Graduate Conference
deadline for submissions: 
Friday, October 5, 2018

(Un)Earthing: Roots, Relations, and Revelations

Between my finger and my thumb
The squat pen rests.
I’ll dig with it.

—Seamus Heaney,“Digging”

As a discipline, the humanities seeks to uncover and explore various cultures, histories, experiences, and truths. The 2019 New Voices Graduate Conference invites submissions that consider concepts of unearthing.

Trash Objects (Deadline 7/1/18)

updated: 
Monday, June 18, 2018 - 9:34am
Tufts Graduate Humanities Conference
deadline for submissions: 
Sunday, July 1, 2018

Tufts Graduate Humanities Conference

Conference Date: October 27th, 2018

Trash Objects

 

The defining qualities of trash can change from moment to moment.  Who gets to discard detritus, and who is thrown into to the garbage can? Whether referring to cast-off material or undesirable aesthetics and affects, “trash” is designed, regulated, and disposed of by social hierarchies. Consumer culture manufactures trash–both the literal waste that lingers in landfills and the lowbrow schlock produced by executives in corporate boardrooms. But can trash also refuse Western power structures and the white, masculinist heteronorms inherent to them?

 

Origins and Assemblages of the "Modern;" Shakespeare and the Gothic Imagination

updated: 
Monday, June 18, 2018 - 9:32am
Lucian Ghita (Clemson University)
deadline for submissions: 
Saturday, June 30, 2018

Writing in 1800, the Marquis de Sade claimed that the Gothic was the inevitable product of the revolutionary tremors felt throughout Europe. In revealing the proximity between poetic and political terror, the Gothic became the inescapable condition and symptom of modernity itself. The rise of the Gothic in late eighteenth- and early nineteenth-century Europe is closely bound up with the discovery of Shakespeare as a "modern dramatist" by Hegel and, later, Marx. Like the Gothic, Shakespeare's plays had a propensity for exploring the "dark underbelly" of the new modern world. This seminar explores the mutually constitutive relationship between "Shakespeare" and "the Gothic," viewed as cultural catalysts for modernity and modern creativity.

REMINDER: Fairy Tales Area at PCA in Washington, DC, April 17-20, 2019 (submission deadline: 10/1/18)

updated: 
Saturday, September 8, 2018 - 9:30pm
Popular Culture Association
deadline for submissions: 
Monday, October 1, 2018

The Fairy Tales Area of the Popular Culture Association/American Culture Association seeks paper presentations and panels on the diverse range of fairy tales throughout the world. This year, we particularly seek papers focused on pedagogical uses of fairy tales at all levels and in all fields, discussions of folkloric shifts from oral to literary to visual (filmic, artistic, etc) versions of tales, and creative pieces that retell or critique fairy tales or use the tales to comment on some aspect of culture or history.

Still, we are interested in as wide an array of papers as possible, so please do not hesitate to send a submission on any fairy tale related subject.

NeMLA 2019 - "Neo-Dickens for a New Audience: Reading, Watching, and Teaching Dickens in the 21st Century" (Dickens Society Sponsored Panel)

updated: 
Wednesday, August 1, 2018 - 3:14pm
Northeast Modern Language Association
deadline for submissions: 
Sunday, September 30, 2018

"Neo-Dickens for a New Audience: Reading, Watching, and Teaching Dickens in the 21st Century" (Dickens Society Sponsored Panel)

Deadline for submissions: September 30, 2018
Name of organization: Northeast Modern Language Association
Contact email: matobin@psu.edu

Call for proposals for the Dickens Society sponsored panel at the Northeast Modern Language Society convention to be held in Washington, DC March 21-24, 2019

"Neo-Dickens for a New Audience: Reading, Watching, and Teaching Dickens in the 21st Century" (Dickens Society Sponsored Panel)

Chair: Mary Ann Tobin, PhD, The Pennsylvania State University

Re-Framing the Constitution: Futures of the Fourteenth Amendment

updated: 
Monday, June 18, 2018 - 1:22pm
Rice University & Humanities Research Center
deadline for submissions: 
Wednesday, August 15, 2018

Symposium CFP

 

Re-Framing the Constitution: Futures of the Fourteenth Amendment

 

Rice University

Houston, TX

Friday & Saturday, October 5-6, 2018

14thfutures.blogs.rice.edu 

 

Keynote:

Edlie L. Wong (University of Maryland)

 

Concluding Roundtable: 

Ikuko Asaka (University of Illinois, Urbana-Champaign)

Carrie Hyde (University of California, Los Angeles)

Mónica Jiménez (University of Texas, Austin)

Edited collection: Empirical Ecocriticism

updated: 
Sunday, August 5, 2018 - 5:48am
Wojciech Malecki, Matthew Schneider-Mayerson & Alexa Weik von Mossner
deadline for submissions: 
Saturday, September 15, 2018

Call for Papers

Edited Volume: Empirical Ecocriticism

MORAL MACHINES? THE ETHICS AND POLITICS OF THE DIGITAL WORLD

updated: 
Friday, June 15, 2018 - 11:00am
Kaisa Kaakinen / The Helsinki Collegium for Advanced Studies
deadline for submissions: 
Friday, August 31, 2018

MORAL MACHINES? THE ETHICS AND POLITICS OF THE DIGITAL WORLD 6–8 March 2019, Helsinki Collegium for Advanced Studies, University of Helsinki, Finland With confirmed keynotes from N. Katherine Hayles (Duke University, USA) and Bernard Stiegler (IRI: Institut de Recherche et d’Innovation at the Centre Pompidou de Paris) As our visible and invisible social reality is getting increasingly digital, the question of the ethical, moral and political consequences of digitalization is ever more pressing. Such issue is too complex to be met only with instinctive digiphilia or digiphobia. No technology is just a tool, all technologies mark their users and environments.