While periods of classicism, neo-classicism, modernism, and pre/post-modernism are certainly noteworthy “isms” in literature, so, also, are other concepts of “isms,” such as, heroism, supernaturalism, imagism, afro-futurism, feminism, activism, colorism, existentialism, symbolism, witticism, dualism, utopianism, et al. The objective of this session is to examine thoughtfully how these and other pertinent “isms” have and continue to influence literature socially and culturally, realistically and idealistically, literally and figuratively, nationally and internationally. In so doing, the researcher should think critically, insightfully, and provocatively about the importance of various “isms” in literature for their purpose, politics, pragmatics, and prof
2019 will be the 80th Anniversary of MGM’s The Wizard of Oz, and SCMS will be meeting in Seattle—the Emerald City!
I would like to propose a panel on The Wizard of Oz. I am open to receiving proposals on the 1939 film, other film adaptations of Oz, or the presence of Oz in American and global culture.
Please email paper proposals, including a title, abstract (200-300 words), and a short bio to Ryan Bunch (firstname.lastname@example.org) by August 15.
Investigating Crime Films from Transnational Perspectives
Emerging as a result of the international popularity of American and British detective novels in the 19th and early 20th century, the crime film has fascinated filmmakers and audiences since the early days of cinema because of its thrilling subject matter and commentary on the consequences of urban and industrial modernization. This genre, thus, adapts and translates well into different cultural contexts and appealing beyond a film’s domestic audience. Furthermore, it provides a means for filmmakers to cultivate their style and influence cinemas outside their countries of origin through their use of and perhaps reimagining of established genre conventions.