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Postwar Area Studies Group ALA 2019

updated: 
Sunday, January 13, 2019 - 12:23pm
Postwar Area Studies Group
deadline for submissions: 
Tuesday, January 15, 2019

Calls for Papers: Postwar Area Studies Group 2019 ALA

The Annual Conference of the American Literature Association will meet at the Westin Copley Place in Boston on May 23-26, 2019. The Postwar Area Studies Group is issuing three Calls for Papers for this year's meeting:

 

1. Memoir and Recovery Narratives, 1945-1980

American Literature Association 2019 – Boston, May 23-26 / Postwar Area Literature Group

Memoirs and autobiographies; lost and found objects, persons, and selfhoods in literatures of the postwar period.  Abstracts by January 15 to foertsch@unt.edu

 

2. Samples and Fragments, 1945-1980

(Neo-)Victorian 'Orientations' in the Twenty-First Century

updated: 
Monday, September 17, 2018 - 4:10pm
Rosario Arias / University of Málaga (Spain)
deadline for submissions: 
Monday, October 15, 2018

(NEO-)VICTORIAN ‘ORIENTATIONS’ IN THE TWENTY-FIRST CENTURY

 

University of Málaga (Spain)

May 15-17, 2019

 

 

Under the auspices of the Research Project “Orientation: Towards a Dynamic Understanding of Contemporary Fiction and Culture (1990s-2000s)” (ref. FFI2017-86417-P), funded by the Spanish Ministry of Economy, Industry and Competitiveness, this conference addresses past, present and future orientations of (neo-)Victorian literature and culture.

Race and Renovation in the Contemporary Novel (NeMLA 2019)

updated: 
Monday, September 17, 2018 - 3:56pm
NeMLA Annual Convention - Washington D.C. - 21-24 March, 2019
deadline for submissions: 
Sunday, September 30, 2018

 

This panel seeks to open a conversation about how formal experiments in the contemporary American novel attempt to find new ways to discuss race, and what these experiments might signal about the future of the novel.

Visualizing Violence

updated: 
Monday, September 17, 2018 - 3:56pm
Interventions: International Journal of Postcolonial Studies
deadline for submissions: 
Sunday, September 30, 2018

[CFP] A Special Issue of Interventions: International Journal of Postcolonial Studies: “VISUALIZING VIOLENCE”

 

Deadline for proposal: 30 September, 2018. Please send a 250-word abstract and a 75 word author bio to co-editors at hrcohen2@stkate.edu and ssarkar@bsu.edu.

 

Deadline for article: Completed article-length manuscripts will be due 30 November, 2018. Manuscripts should be written in English, between 6,000-8,000 words in length with documentation in MLA format.

 

CALL FOR PAPERS

 

'Fiction with footnotes': Writing art history as literary practice

updated: 
Monday, September 17, 2018 - 3:53pm
Tilo Reifenstein / Association for Art History
deadline for submissions: 
Monday, November 5, 2018

'Fiction with footnotes': Writing art history as literary practice

Brighton, April 4 - 6, 2019
Deadline: Nov 5, 2018

Session at the Association for Art History Annual Conference, University of Brighton, April 4 - 6, 2019

CfP Deadline: Nov 5, 2018

Call for Book Chapters: Women and Belles Lettres in the Nineteenth Century

updated: 
Monday, September 17, 2018 - 3:49pm
Harvard University
deadline for submissions: 
Friday, September 28, 2018

Many novelists in various national literatures touched upon the theme of an emancipated woman in the long nineteenth century. Imagination, as it is believed, has no borders and is dialogical in its nature.  Different voices of great emancipationist writers merged into one influential symphony liberating and awakening consciousness of slaves—males and females. If writers did not support directly or sympathized with the image of an emancipated woman, they did reflect on her place in society and her belonging. World literature allows us to take a closer look at the imagined and real women's lives, at their biographies and reminiscent writing.

SEX AND CENSORSHIP IN ART

updated: 
Monday, September 17, 2018 - 3:48pm
REVISTA DE HISTÓRIA DA ARTE 15 UNIVERSIDADE NOVA DE LISBOA, PORTUGAL
deadline for submissions: 
Friday, November 30, 2018

How have social inhibitions and taboos been addressed by art throughout history? And today, in a climate marked by neoliberalism, and by such phenomena as the "hyper-sexualisation" of culture or the "pornification" of art itself, how are the limits of the permissible, of the "decent", and of freedom of expression being considered? Within the framework of so-called Western civilization, these issues summon up the battles waged around tensions between art, eroticism and pornography. Intensifying as the twentieth century progressed, such tensions reveal how the limits of what is socially permitted have been tied to sexual explicitness and erotic representation.

CFP: GLOBAL ASIAS 5 CONFERENCE

updated: 
Monday, September 17, 2018 - 3:44pm
Verge: Studies in Global Asias
deadline for submissions: 
Monday, November 5, 2018

Penn State’s Department of Asian Studies announces Global Asias 5, a biennial conference hosted to complement the work of our award-winning journal Verge: Studies in Global Asias (published by the University of Minnesota Press). By bringing into relation work in Asian Studies, Asian American Studies, and Asian Diaspora Studies, Verge covers Asia and its diasporas, East to West, across and around the Pacific, from a variety of humanistic perspectives—anthropology, art history, literature, history, sociology, and political science— in order to develop comparative analyses that recognize Asia’s place(s) in the development of global culture and history.

ACLA 2019 panel - Documented Figments: The Critical Value of Reimagining Facts in Biofiction

updated: 
Monday, September 17, 2018 - 3:44pm
Laura Cernat / KU Leuven
deadline for submissions: 
Thursday, September 20, 2018

Since biofiction is gaining legitimacy as a literary category, refining its theoretical framework becomes crucial. One of the main aspects of this process is to understand the uses of a novelist’s freedom to create meaning by altering or complementing the information provided by historical documents. It is our claim that, far from entailing an unfamiliarity with sources or an arbitrary play, the freedoms that biofiction takes are strategic. They express the assimilation of facts into a narrative thread capable of revealing tangled or unspeakable truths that the documents can only suggest, and of inserting these truths into the crevices of dominant narratives.

Human/Animal Voices: Language as a Tool for Humanizing the Transcultural Experience (NeMLA, Washington DC)

updated: 
Monday, September 17, 2018 - 3:44pm
NeMLA
deadline for submissions: 
Sunday, September 30, 2018

We would like to call to your attention to a panel that will be held at NeMLA's 50th Anniversary Convention in Washington, D.C. next spring (March 21-24, 2019). The calls for papers are copied below. Abstracts may be submitted in English or French through NeMLA's online portal: https://www.cfplist.com/nemla/Home/S/17513 until September 30, 2018.

Human/Animal Voices: Language as a Tool for Humanizing the Transcultural Experience 

Topics and Themes in Canadian Science Fiction

updated: 
Monday, September 17, 2018 - 3:43pm
Foundation: The International Review of Science Fiction
deadline for submissions: 
Friday, February 15, 2019

The academic journal Foundation: The International Review of Science Fiction (http://www.sf-foundation.org/publications/foundation/index.html), supported by the Science Fiction Foundation at the University of Liverpool, UK, invites contributions for a special issue on Canadian science fiction. The special issue is guest edited by Heather Osborne (University of Calgary, Canada).

Sandra Cisneros: Intersections and Crossings

updated: 
Monday, September 17, 2018 - 3:42pm
Geneva M. Gano/ Texas State University
deadline for submissions: 
Saturday, October 5, 2019

Sandra Cisneros: Intersections and Crossings

MELUS Annual Conference, Cincinnati, OH, March 21-24, 2019

Sandra Cisneros is perhaps best known for The House on Mango Street, a “little” book that explores the interior life of a Mexican American girl growing up in a Chicago neighborhood.  Although this close focus has tended to position Cisneros as a writer of the minor and the domestic, this panel will investigate the breadth and range of her work and career, positioning her and her work within an intersectional framework that attends in particular to ways in which Cisneros identifies herself and her work as expansively multi-ethnic and multi-national. 

Culture, Community, and Change

updated: 
Monday, September 17, 2018 - 3:40pm
21st Century Englishes via the Rhetoric Society of the Black Swamp
deadline for submissions: 
Friday, September 28, 2018

Culture, Community, and Change: The 6th Annual 21st Century Englishes Graduate Student Conferenc

The 21st Century Englishes Graduate Student Conference is hosted by the Rhetoric Society of the Black Swamp, Bowling Green State University’s Student Chapter of the Rhetoric Society of America & BGSU Rhetoric & Writing Ph.D. Program. It is sponsored by BGSU English Department, BGSU General Studies Writing, and BGSU Student Organizations.

Conference Date: November 10, 2018

Location: Bowling Green State University, Bowling Green, OH

Straight to the Front Row: Investigating Contemporary Western Gay Male Cinema

updated: 
Thursday, November 8, 2018 - 5:43am
Anthony Stepniak & Connor Winterton / University of Northampton
deadline for submissions: 
Friday, November 16, 2018

CFP:

Straight to the Front Row: Investigating Contemporary Western Gay Male Cinema

Conference to be held at the University of Northampton (UK)

16/02/2019 – 17/02/2019

EXTENDED DEADLINE FOR ABSTRACTS 16/11/2018

Melville's Origins NYC (Updated)

updated: 
Thursday, September 13, 2018 - 9:57am
Melville Society
deadline for submissions: 
Monday, October 1, 2018

CFP: MELVILLE’S ORIGINS (UPDATED)

New York University, New York, NY

June 17-20, 2019

Deadline for proposals: October 1, 2018

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