Borders, Intersections and Identity in the Contemporary Short Story in English
Borders, Intersections and Identity in the Contemporary Short Story in English is a conference organised by the Research Project Intersections: Gender and Identity in the Short Fiction of Contemporary British Women Writers (FEDER/AEI – FEM2017-83084-P) and the Research Group Discourse and Identity (GRC2015/002, GI_1924) in affiliation with the ENSFR (European Network for Short Fiction Research). The conference is to be held at the Faculty of Philology, University of Santiago de Compostela, Spain, on 23 and 24 May, 2019.
The modern short story has been described as a liminal and hybrid form, a combination of different genres (Achilles and Bergmann 2015). Such hybridity and formal indeterminacy often account for the difficulty in explaining the genre’s specificity with regards to other narrative forms to the extent that brevity stands out as its sole identifiable defining feature. However, it could be argued that the genre’s shortness determines a set of other characterological, thematic, pragmatic and material aspects that distinguish the short story from other literary genres (Korte 2003; Drewery 2011; Achilles and Bergmann 2015; Cox 2015). Building on previous criticism of the short story (most notably, Frank O’Connor and Clare Hanson), Adrian Hunter affirmed that the short narrative form “is particularly suited to the representation of liminal or problematized identities” (2007:138). Departing from these premises, this conference will address how the short story has been used to articulate the migrant subject’s predicament as an intersection of identity categories and interacting vectors such as gender, race, ethnicity, culture, religion, sexuality, nationality, age and (dis)ability, among others. We welcome approaches to the short story in English that elucidate the ways in which the short narrative form functions as a medium for the articulation of these identitary elements and how the tensions deriving from their disparity and friction are negotiated, repressed or simply ignored.
Papers may explore, but are not limited to, the following issues:
- Gender and genre intersections
- Intersections of gender, class and ethnicity in the contemporary short story
- The postcolonial short story as a vehicle of resistance
- Multicultural, transnational and transcultural short-story writing
- Cosmopolitanism and nationalism in contemporary short-story writing
- Borders and border-crossing in the contemporary short story
- Migration and mobility in the contemporary short story
- The short story and immediate topicality: from the ongoing refugee crisis to the post-Brexit referendum
- Other intersections: nature and environment, human-nonhuman, human-machine, human-animal, etc.
250 to 300-word proposals should be sent to email@example.com a brief bio-note of 50 to 100 words by 1 March, 2019. Notification of acceptance will occur by 10 March, 2019.
Revised versions of selected papers will be published in a special issue of the Journal of the Short Story in English.
- Isabel Carrera Suárez (U of Oviedo, Spain)
- Anne Fogarty (Univesity College Dublin, Irland)
- Paul March-Russell (U of Kent, United Kingdom)