|
a service provided by www.english.upenn.edu |
FAQ changelog |
East European Film Bulletin
Call for Papers
Poetic Cinema in Ukraine and Beyond: History, Memory and Legacy
Proposals: 15th of February 2019
Papers due: 15th of June 2019
CALL FOR PAPERS - DEADLINE EXTENTION!!!
“Philosophy and Aesthetics of Sexuality in Japan”
The Polish Journal of Aesthetics No. 55 (4/2019)
Editors:
Timon Screech (SOAS, University of London, United Kingdom)
Gabriela Matusiak (Jagiellonian University, Poland)
NEW Submission deadline: July 21, 2019
DEADLINE NOW EXTENDED THROUGH JANUARY 15th
ImageText in Motion: Animation and Comics
DEADLINE EXTENDED (Jan 25)
CALL FOR PROPOSALS:
“Romantic Elements”
NASSR 2019
German Comics and Graphic Novels III: Periphery
German Studies Association 2019
3-6 October
Portland, OR
This is a proposed panel for SAMLA 91 (Languages: Power, Identity, Relationships) in Atlanta, GA, Nov. 8-10, 2019.
Issue Topic:
Call for Papers—EXTENDED DEADLINE FEB 1, 2019
for the Triennial Conference of the
International Communal Studies Association
Conference Dates: July 18-21, 2019
Conference Location: Camphill Communities near Hudson, NY, USA
Conference Theme: “Diversity and Inclusion in Intentional Communities”
The Irish Journal of Gothic and Horror Studies (ISSN 2009-0374) is a peer-reviewed, interdisciplinary, open-access, electronic publication dedicated to the study of gothic and horror literature, film, new media, and television.
We are currently seeking submissions of articles and reviews that deal with any aspect of gothic and horror studies, including (but not limited to) literature, film, television, theatre, art and architecture, music, and new media. Please note that we cannot include pictures or sound files with articles or reviews.
DEADLINE EXTENDED TO JANUARY 21, 2019
WHAT IS TECHNOLOGY?
UNIVERSITY OF OREGON PORTLAND • APRIL 11–13, 2019
whatis.uoregon.edu
Call for PapersTourism, Culture and Communication
Special Issue:
CRITICAL THINKING IN TOURISM STUDIES
[Guest Editors: Rodanthi Tzanelli, University of Leeds, UK and Maximiliano Korstanje, University of Palermo, Argentina]
«Ticontre» focuses on Literary Criticism and Textual Analysis, History of Literature, Literary Theory, Comparative Literature, and Translation Studies. All manuscripts will undergo a double-blind peer-review process. Since its foundation in 2014, «Ticontre» is regularly published twice a year, with a total of ten issues and 165 papers. In the last four years, pdf articles were downloaded more than 65,000 times. Up to thirty per cent of them are written in a language other than Italian and authors belong to over seventy different universities, half of which abroad.
From the Nāṭyaśāstra or Aristotle’s Poetics to social media posts or the new online review aggregators, discourses about theater have shaped the course of the art’s evolution, reflecting and influencing aesthetics, modes of production and models of social and political involvement.
The emergence and spread of “practice as”, “practice-led” or “practice-based” research paradigms, the growing interest for the performative function of arts archives, the fluidization and democratization of critical discourses, as well as the ripple effect of the performative turn define, nowadays, a climate in which theory and practice intermingle, seemingly re-bridging the gap between artists and scholars, between creators, historians and critics.
Textualities of American Drama: What are the textual forms of American drama? Dramatic works produced during the nineteenth century (an age largely dominated by spectacular melodrama) and the early twentieth century (an era that turned imperfectly to dramatic realism) are often studied according to their production histories rather than their circulation as printed play texts. But the publication of dramatic texts was a significant subplot of the expanding publishing industry throughout the United States. How did the making and consumption of plays in print shape the literary status of American drama?
The Comics Arts Conference is now accepting 100 to 200 word abstracts for papers, presentations, panels, and poster sessions taking a critical or historical perspective on comics (juxtaposed images in sequence) for a meeting of scholars and professionals at Comic-Con International in San Diego, CA, from 7/18-7/21, 2019. We seek proposals from a broad range of disciplinary and theoretical perspectives and welcome the participation of academic and independent scholars. We also encourage the involvement of professionals from all areas of the comics industry, including creators, editors, publishers, retailers, distributors, and journalists.