Modern Horizons invites submissions of essays on the theme of ‘Authority & Transgression’ for its June 2018 issue.
displaying 1936 - 1950 of 2852
Submissions are currently being accepted for Correspondences: Journal for the Study of Esotericism.
Correspondences is an international, peer-reviewed online journal dedicated to the academic study of esotericism. The editors acknowledge that the use of this umbrella term for a widely variant field of alternate scientific and religious ideas is problematic. Correspondences therefore maintains an openness toward varying interpretations of the boundaries of the field of esotericism and encourages submissions from a variety of disciplinary backgrounds, such as History of Religions, Sociology, Art History, Philosophy, History of Science, Literature, Musicology, and Cultural Studies.
The Literature Under the Press: Bibliography, Book History and Philological-Literary Studies - edited by Flavia Bruni, Matteo Fadini, Chiara Lastraioli
Association for the Study of the Arts of the Present 10th Annual Conference, October 17-20, 2018, New OrleansConference website: http://asap10.tulane.edu/ CFP: SEMINAR ON GLOBAL SOUTH URBANISM AND AESTHETICS
A host of tongues…: Multilingualism, lingua franca and translation in the Early Modern period
FCSH-UNL, Lisbon, 13th to 15th December 2018
Call for Papers
Together, the Television area and the LGBTQ Studies area of the Mid-Atlantic Popular and American Culture Association seek proposals for a co-sponsored panel at the 2018 conference in Baltimore, Maryland
We invite papers that examine any aspect of the relationship between television and the LGBTQ community. Potential topics include but are not limited to:
* Will & Grace, revivals
* Pose, the Ryan Murphy empire
* Riverdale, queerbaiting and youth culture
* When We Rise, social movements on television
* Queer Eye, makeover shows in the Trump era
Romanticism in the Age of World Wars Extended deadline for submissions: May 15, 2018 full name / name of organization: Vivian Liska (University of Antwerp), Ortwin de Graef (KU Leuven), Tom Toremans (KU Leuven), Pieter Vermeulen (KU Leuven), and the doctoral students Ana Ashraf (KU Leuven), Laura Cernat (KU Leuven), and Kahn Faassen (KU Leuven). contact email: firstname.lastname@example.org
CFP “Romanticism in the Age of World Wars” (Leuven, 11-13 November 2018)
Confirmed Keynote Speakers:
Santanu Das (King’s College London)
Marc Redfield (Brown University)
Paul K. Saint-Amour (University of Pennsylvania)
On 29 June 2018, the Critical Poetics Research Group at Nottingham Trent University will host a symposium on the ‘Unidentifiable Literary Object’. Speakers include: Clare Connors (University of East Anglia), Marie-Dominique Garnier (University of Paris VIII), Laurent Milesi (Shanghai Jiao Tong University), Nicholas Royle (University of Sussex), Judith Still (University of Nottingham), Sarah Wood (University of Kent). We hope that Hélène Cixous and Eric Prenowitz (University of Leeds) will also be able to join us via Skype.
Academic Freedom in Historical Perspective
Twenty-Five Years of theEuropean Review of History /
Revue européenne d’histoire: An Anniversary Conference
Central European University, Budapest, 8-10 November 2018
Call for Papers
Following milestone moments in Canadian history, namely the Truth and Reconciliation Commission, it has become imperative that all members of the nation should be implicated in processes of conciliation and reconciliation. This turn must include immigrants, migrants, and refugees who diaspored to Canada through colonial networks of their own, and whose presence has been largely overlooked in the “difficult binary” constructed between colonizer and the colonized in both historical and emergent discourses on decolonization. How might these postcolonial subjects enter into artistic or curatorial collaboration with Indigenous peoples of Canada that both acknowledge cultural diversity and their shared colonial beginnings?
I would like to put together an Association of Writers and Writing Programs panel. I am unsure about the topic. The first panel I am putting together this year is for the 10th anniversary of my Anaphora Literary Press, a reading for some of the writers. I would like to put together a second panel with folks that I am not affiliated with, so anybody reading this post. The panel can be a reading, or a discussion on the profession, or a discussion on the writing craft. Maybe a panel of independent publishers to discuss the problems we face in this field. Maybe a panel of academics (I previously taught college English for over 4 years) to talk about teaching creative/writing.
This panel welcomes submissions exploring the logics of disposability and/or sustainability. Suggested topics include, but are not limited to: ecological sustainability, theories of excess and expenditure, the materiality of bodies and how they may be said to matter (or not), wasted time and wasted space. We welcome literary or theoretical perspectives from environmental humanities, race studies, psychoanalysis, queer-theory, and necro- or bio-politics. Proposals addressing the conference theme are especially welcome. By May 25th, please submit an abstract of 250-300 words, a brief bio, and any A/V requests to Violeta Espigares, Emory University, at email@example.com.
Academic Studies Press is pleased to announce a call for manuscript submissions for its new book series, Studies in Comparative Literature and Intellectual History, edited by Galin Tihanov (Queen Mary, University of London).
On 29 June, IASH is hosting ‘Difficult Women & the Common Good: Activism, Archives, Aesthetics’, a one-day symposium that reflects on the ‘difficult woman’ in interdisciplinary perspective in order to highlight her importance as a political figure. The keynote speaker is Professor Akwugo Emejulu of the University of Warwick.
- Dympna Callaghan (Syracuse University)
- Jane Kingsley-Smith (Roehampton University)
- Michael Neill (University of Auckland)
- Wendy Wall (Northwestern University)
John Webster’s The Duchess of Malfi Reconsidered, an International Conference under the aegis of the French Shakespeare Society, with the support of Labex COMOD