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Participations: Journal of Audience & Reception Studies - Themed Section: Comics/Fandom: Interdisciplinary Perspectives on the Intersection of Fan Studies and Comics Studies

updated: 
Saturday, October 5, 2019 - 1:03pm
Committee for Comics Studies (AG Comicforschung) and the Committee for the Studies of Fandom and Participatory Culture (AG Partizipations- und Fanforschung) at the German Society for Media Studies (GfM) / Participations: Journal of Audience & Reception St
deadline for submissions: 
Thursday, October 31, 2019

Reminder - Call for Papers

Participations: Journal of Audience & Reception Studies

Themed Section: Comics/Fandom: Interdisciplinary Perspectives on the Intersection of Fan Studies and Comics Studies
Expected publication date: November 2020

Co-Editors: Sophie G. Einwächter (Philipps-University Marburg, Germany); Vanessa Ossa (University of Tuebingen, Germany); Véronique Sina (University of Cologne, Germany), and Sven Stollfuß (University of Leipzig, Germany)

The Figure of the Terrorist in Literature, Film and Media

updated: 
Wednesday, May 1, 2019 - 9:43am
University of Zurich, Switzerland
deadline for submissions: 
Monday, July 15, 2019

THE FIGURE OF THE TERRORIST IN LITERATURE, FILM AND MEDIA

International conference at the University of Zurich, Switzerland, November 8 and 9, 2019

Deadline for the submission of proposals: July 15, 2019


 

Conference outline

Body, Mind, and the Posthuman: A Corollary to Postmodern Thought

updated: 
Tuesday, September 3, 2019 - 12:25am
Nikita Goel, Editor/ Language, Literature, and Interdisciplinary Studies (LLIDS)
deadline for submissions: 
Monday, September 30, 2019

Body, Mind, and the Posthuman: A Corollary to Postmodern Thought

Man is something that shall be overcome. What have you done to overcome him?”                                                                                                                                   – - -- – Nietzsche

Old Wine in New Bottles: Re-Canonizing the Timeless Word - AJILE International Journal CFP

updated: 
Wednesday, May 1, 2019 - 2:43pm
Aesthetique Journal for International Literary Enterprises (E-ISSN 2456-1754)
deadline for submissions: 
Wednesday, May 15, 2019

Call for Research Articles for International Literary Journal (E-ISSN 2456-1754)

 

Old Wine in New Bottles: Re-Canonizing the Timeless Word

 

 

Concept Note

 

“Just as time seems to be running out, timeless things try to slip back into human awareness.” 
Michael Meade, The Genius Myth

 

Careers Beyond Academia: A Roundtable

updated: 
Wednesday, May 1, 2019 - 2:46pm
PAMLA, 117th Annual Conference - San Diego, 14-17th November
deadline for submissions: 
Saturday, June 8, 2019

The changes in the job market and the difficulties for landing a tenure track academic position have been a game changer during the last five years. As many graduate programs in the country have decided to accept lesser students annually, others have devised innovative solutions and have highly engaged in training students beyond academia. This roundtable aims at opening a conversation about professional careers outside academia. The roundtable welcomes speakers who have experience working beyond academia and can guide students and peers towards a professional career path.

Theater, Diplomacy, and Politics

updated: 
Wednesday, May 1, 2019 - 2:46pm
PAMLA 117th Annual Conference, San Diego, Nov 14-17th, 2019
deadline for submissions: 
Saturday, June 8, 2019

This session aims at reflecting on the interrelation between theater, performance, diplomacy, and politics. Since theater became theater, plays and performances have reflected, reacted, rejected, denounced, and embraced political turmoil. This panel welcomes papers presenting an interdisciplinary or theoretically grounded analysis of the ways in which theater and/or theatrical audiences react to political turmoil and/or feed institutional discourses that endorse National politics. The multifarious nature of theater escapes unidirectional readings and categorizations: performers, directors, and the very nature of a performance's dialogic form often complicates the way in which jokes, comedy, and meaning are endorsed.