Reality Check: Representing Real Bodies in Performance.

10thannual PG Conference at the Department of Theatre, Film and Television

20thJune 2019, University of York, 10.00 – 18.00

Registration free -- please register by 13th June  2019 

This international conference is part of the MuséaLitté research programme on the interaction between museums and literature.

It will be hosted by the Musée d'art et d'histoire Paul Eluard (Saint-Denis) and la Maison des sciences de l'homme (Saint-Denis) on 7-8 November 2019.

Museums are both highly symbolic spaces and sites for the construction and dissemination of culture. Writers visit, appropriate, and mediatise all kinds of museums (Public or private, natural history museums, ethnographic collections, science and technology museums, art galleries, cabinets of curiosities, world expositions) as well as places where literature is preserved and classified (libraries, literary archives, and manuscript centres).

Colonial Knowledges: Environment and Logistics in the Creation of Knowledge in British Colonies from 1750 to 1950.

27th-28th February 2020, University of Manchester.  

Keynote speaker: Professor Javed Majeed, King’s College London.

The effects of colonial power dynamics on knowledge creation in the long nineteenth century and beyond are well known and have become the foundation of a postcolonial reading of British scholarship in the context of empire. What has been less well examined are the practical effects of the colonial context on knowledge making.    

Since the development of the Iowa Writer’s Workshop at the University of Iowa in the 1930s, creative writing courses at both the undergraduate and graduate level have proliferated. In 2008, there were 156 MFA programs in Creative Writing in the U.S; in 2016 there were 244. This roundtable will consider the status of international creative writing courses and programs within the context of the evolving picture of higher education. Some questions to consider: What effects might the spread of online education have on creative-writing pedagogy? Is creative writing as a field sustainable? As higher education moves to encompass a variety of formats and economic models, how will creative writing courses have to evolve?

Print forms of poetry have traditionally been integral to writing and literature classes. However, for many students, especially those in first- or even second-year classes, the written word and the visual layout of poetic form can be foreign, even intimidating. This session will consider the possibilities offered by oral forms such as storytelling and spoken-word poetry. In addition to considering the pedagogical possibilities of oral performance, this session invites poets and storytellers to share their own original work.

CAMP TV OF THE 1960s.
A collection of new scholarly essays edited by Isabel Pinedo and Wyatt D. Phillips

AbstractThis panel explores representations of Irishness in the 21st Century. From the Belfast Agreement and the “end” of the Northern Ireland Troubles to the Republic’s referenda on divorce, abortion, and marriage equality, the past 25 years present a dynamic and changing society on the island. Recalling Clare Connolly’s introduction to Ireland and Postcolonial Theory, in which she writes of instability of the “boundaries between past and present [...] memory and history, national and international,” this panel examines Irishness in relation to shifting global, political, and cultural contexts as they manifest in texts from the present and recent past in the Republic of Ireland and Northern Ireland.