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Katherine Mansfield Journal Tinakori

updated: 
Monday, June 3, 2019 - 3:20pm
Katherine Mansfield Society in association with Edge Hill University
deadline for submissions: 
Friday, July 12, 2019

Tinakori:

Critical Journal of the Katherine Mansfield Society 

Editors: Kym Brindle and Karen D’Souza

 

‘But this is all a dream you see. I want to come home – to come home’

Letter from Mansfield to Murry [18 March 1918]

 

OPEN CALL /II. Zip-Scene Conference on Analogue and Digital Immersive Spaces / #kaleidoscopicview

updated: 
Saturday, June 15, 2019 - 2:46pm
Zip-Scene Conference
deadline for submissions: 
Monday, July 1, 2019

Proposed dates:

10-12 November, 2019

Venue:

Moholy-Nagy University of Art and Design, Budapest, Hungary

Topic:

Interactive Narratives – the Future of Storytelling and Immersion in mixed reality mediums and performing arts. This conference aims to investigate whether XR/extended reality (VR/AR/MR) works will acquire a status comparable to film, performing arts and video games in the near future. On this basis, they are looking forward to papers that address narrative experiences enabled by XR and especially VR technologies. In addition, they want to challenge established storytelling strategies and instead more thoroughly analyse ways of creating engaging experiences. 

 

Working Class Studies in Fiction, Film, and Media

updated: 
Monday, June 3, 2019 - 1:50pm
Mid-Atlantic Popular & American Culture Association
deadline for submissions: 
Sunday, June 30, 2019

CALL FOR PAPERS

Working Class Culture
Mid-Atlantic Popular & American Culture Association Annual Conference

November 7-9, 2019

Pittsburgh Marriott City Center

112 Washington Place

Pittsburgh, Pennsylvania 15219

Working Class Culture
Area chair: Greg Bruno (Teachers College, Columbia University)

Vektor - Open Call: Share Your VR/Experience with us!

updated: 
Monday, June 3, 2019 - 3:22pm
Vektor
deadline for submissions: 
Sunday, June 30, 2019

’Vektor’ is Hungary’s first artistic and documentary VR-section, organized by Random Error Studio and Zip-Scene Conference. It will take place 13–16 November, in the frame of the 16th Verzió International Human Rights Documentary Film Festival. They are looking forward to creations that recreate the narrative concept in VR, and that take up the challenge of making use of different content types – for new immersive, interactive storytelling formats. The theme is ‘the Zone’, a nod to the 40th anniversary of Andrei Tarkovsky’s philosophical movie, Stalker.

CFP - Reading Shaun Tan in Hong Kong: Literature, Pedagogy, and Community

updated: 
Monday, June 3, 2019 - 3:23pm
Centre for Popular Culture in the Humanities, The Education University of Hong Kong
deadline for submissions: 
Saturday, June 15, 2019

CFP

Reading Shaun Tan in Hong Kong:

Literature, Pedagogy, and Community

 

6-7 DECEMBER 2019 / The Education University of Hong Kong

Abstracts due 15 June 2019

 

Confirmed Keynote Speakers:

Candida Rifkind, Associate Professor of alternative comics, graphic narratives, and Canadian literature at the University of Winnipeg

Amy Stolls, Director of Literature at the National Endowment for the Arts.

 

NeMLA 2020 Panel: 'The New Lost Generation': African American Expatriate Writers in Paris, 1945-60

updated: 
Tuesday, August 13, 2019 - 5:08pm
Courtney Mullis, Duquesne University
deadline for submissions: 
Monday, September 30, 2019

NeMLA 2020: Boston, MA

http://www.buffalo.edu/nemla/convention.html

In his 1961 essay “The New Lost Generation,” James Baldwin argues that Europe gave the “new” African American expats of the late 1940s and the 1950s “the sanction, if one can accept it, to become oneself. No artist can survive without this acceptance. But rare indeed is the American artist who achieved this without first becoming a wanderer, and then, upon his return to his own country, the loneliest and most blackly distrusted of men.” Indeed, Baldwin asserts that African American expats in Paris gained a kind of liberation through their experience with a culture wholly unlike their own.

[NeMLA 2020] Detecting the Margins: New Perspectives on the Critical History of Detective Fiction (Panel)

updated: 
Wednesday, August 21, 2019 - 2:10pm
Mollie Eisenberg, Princeton University
deadline for submissions: 
Monday, September 30, 2019

Since its emergence from the periodical press into the first mass-market novelistic craze, detective fiction has occupied a liminal position in the margins of aesthetic legitimacy—and critical study. Detection is a popular genre, a “literature of escape,” that nevertheless seems to make a claim to, and find purchase in, more rarefied aesthetic and intellectual precincts. Michael Holquist styles detection as a guilty pleasure of the reading classes: “The same people who spent their days with James Joyce were reading Agatha Christie at night.” This panel asks what that liminal position might show us about both the genre and the conditions—theoretical, professional, material—of its study. 

Call for Usable, Practical Teaching Resources

updated: 
Wednesday, June 5, 2019 - 10:47am
During Office Hours
deadline for submissions: 
Thursday, October 31, 2019

Who We Are:

At During Office Hours, we’re a group of like-minded teachers in higher education who want to create an easy to use, open access, nonprofit source for teaching resources.

Our Goals:

We want to be able to collect, share, and archive all the ideas, information, best practices, and advice that you’ve accumulated during your teaching careers. Whether you’re a seasoned veteran or a new teacher, a tenured professor or an adjunct or a TA, we hope that everyone can contribute to and benefit from this site.

Call for Chapters - Audio Disruption

updated: 
Wednesday, June 5, 2019 - 10:47am
David Allan/Saint Joseph's University
deadline for submissions: 
Monday, July 1, 2019

Objective of the book: This edited research book focuses on audio disruption from a wide spectrum. While some industries have been more disruptive than others, none have probably been more transformational than music streaming (Spotify, Pandora, etc.). While the disruption of the music industry itself due to streaming has been well documented, the disruption of the industries that rely on popular music namely radio, advertising and retail have not. For radio (iHeartMedia, Beasley, Entercom, etc.), this includes the additional audio competition and ever expanding availability and transportability.

Novels, Then and Now

updated: 
Wednesday, June 5, 2019 - 10:25am
Mid-Atlantic Popular and American Culture Association (MAPACA)
deadline for submissions: 
Sunday, June 30, 2019

This area of the Mid-Atlantic Popular and American Culture Conference (MAPACA), November 7-9 2019, includes all novel genres, authors, time periods, cultures, and settings. Consider it a safety net for novels that don’t fit neatly into a specific genre or that cross genres. For example, consider the many sub-genres of Romance with a capital “R”—western, thriller, paranormal, religious, romance (with a small “r”), detective, urban fantasy, etc. From Pearl S. Buck to Lee Child, from Laurie King to Tony Hillerman, from Julia Spencer-Fleming to Emilie Richards—all are welcome.

NeMLA 2020: Romantic Identities

updated: 
Wednesday, June 5, 2019 - 10:33am
L. Adam Mekler/NeMLA
deadline for submissions: 
Monday, September 30, 2019

NeMLA 51st Annual Convention
March 5-8, 2020
Boston, Massachusetts
Marriott Copley Place

Portrayal of Minorities in Pakistani Literature - Expired

updated: 
Thursday, April 2, 2020 - 2:32pm
Mushtaq Bilal / Binghamton University
deadline for submissions: 
Monday, September 30, 2019

This CFP has expired.

This session is part of the 51st NeMLA Convention to be held in Boston from 5 - 8 March, 2020. Please submit your abstracts (300 words) through NeMLA's website: https://cfplist.com/nemla/Home/S/18094. In order to submit your abstracts, you will have to create an account on NeMLA's website. 

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