Talking about different political slogans that she has written for different eras, namely “Cyborgs for Earthly Survival” during Reagan’s era, “Run fast Bite Hard” for father Bush’s era and “Shut up and Train” for George W. Bush’s presidency , Donna Haraway declares that today her slogan is “Stay with the Trouble!” (137) Amidst the very real and imminent threats of environmental disasters, rise of racism, and an expanding precarity, it is in fact very hard to stay with the trouble rather than going elsewhere to save ourselves.

CALL FOR PAPERS (Extended Deadline!)

Pacific Ancient and Modern Language Association (PAMLA) Conference

Thursday, November 14, 2019 to Sunday, November 17, 2019, Wyndham San Diego Bayside Hotel, San Diego, California

Conference Theme "Send in the Clowns"

CALL FOR PAPERS (Extended Deadline!)

Pacific Ancient and Modern Language Association (PAMLA) Conference

Thursday, November 14, 2019 to Sunday, November 17, 2019, Wyndham San Diego Bayside Hotel, San Diego, California

Conference Theme "Send in the Clowns"

CALL FOR PAPERS (Extended Deadline!)

Pacific Ancient and Modern Language Association (PAMLA) Conference

Thursday, November 14, 2019 to Sunday, November 17, 2019, Wyndham San Diego Bayside Hotel, San Diego, California

Conference Theme "Send in the Clowns"

The proposed panel will analyze the relationship of music and music performance and the text within various national literatures, from 19th century to present day, by offering an overview of the different methodological approaches to this topic and investigating the role of music in literature. We invite a broad range of papers devoted to the analysis of the complex interplay of the two art forms, aesthetic and cultural interactions between music and literature, audience and performers, the nature of creativity, the image of the artist, and the role of music in the specific texts, as well as the broader topics of integrating a musical performance within the narrative form.

CFP: Cine-feminisms and the Academy Symposium

UNSW Sydney, 12-13th December 2019

The contemporary media landscape is shaped by increasing precarity and awareness of gendered issues. The global screen industry is grappling with the cultural and industrial shifts precipitated by the #MeToo and Time’s Up movements. For some, the Harvey Weinstein revelations and subsequent scandal resulted in a re-evaluation of the gendered operation of Hollywood. The industry has responded on the red carpet, through the media and in film festival juries. What role do – and can – forms of film feminisms (or cine-feminism) play within this context?