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SCMS 2020 - The Good Place: Morality, Mortality, and TV Pedagogy

Friday, July 19, 2019 - 1:53pm
David Scott Diffrient / Colorado State University
deadline for submissions: 
Tuesday, August 13, 2019

Since its debut three years ago, NBC’s high-concept comedy-fantasy series The Good Place (2016- ) has racked up numerous critical accolades and industry awards in recognition of its narrative complexity, thematic depth, and groundbreaking audaciousness as a televisual text unlike any other.

Esotericism & Occultism @ SWPACA 2020

Monday, November 18, 2019 - 4:41am
Southwest Popular/American Culture Association
deadline for submissions: 
Wednesday, November 20, 2019

Esotericism & Occultism

Southwest Popular / American Culture Association (SWPACA)

41st Annual Conference, February 19-22, 2020

Hyatt Regency Hotel & Conference Center

Albuquerque, New Mexico


Proposal submission deadline: EXTENDED TO WED, NOVEMBER 20


Graduate Journal aspeers Calls for Papers on "Pride and Shame in America" by 27 Oct 2019

Friday, July 19, 2019 - 12:19pm
aspeers: emerging voices in american studies
deadline for submissions: 
Sunday, October 27, 2019

In June 2019, Stonewall 50 marked the largest LGBTQ+ event in history. Half a century ago, after the NYPD raids on the Stonewall Inn, a resistance movement that had loudly proclaimed ‘Gay Pride’ was born. The year before, James Brown had urged African Americans to “say it loud, I’m black and I’m proud.” Ever since, activists and scholars in these movements have welcomed the community-building that social formations rooted in pride have fostered, while, at the same time, backlash against the increased visibility of such disenfranchised groups has appropriated this terminology as well, for instance in the supremacist slogans ‘white pride’ or ‘straight pride.’

“Imagined Blackness in Imagined Communities”

Wednesday, July 17, 2019 - 12:54pm
DeLisa Hawkes/ U of Maryland, College Park
deadline for submissions: 
Saturday, August 31, 2019

Afrofuturism has become increasingly central to critical conversations about Afro-pessimism, race relations, and cultural histories. This proposed panel draws from Benedict Anderson’s conception of “nation” in his pivotal text Imagined Communities as a generative starting point for thinking about black community formations, black futurity, and cultural histories represented in literature. Anderson claims that “since World War II every successful revolution has defined itself in national terms” (2). However, nations are merely “imagined political communities… as both inherently limited and sovereign” (6).