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displaying 106 - 120 of 229

Deconstruction, Literature, and Singularity: Against Fascist Mythologies (ACLA 2020)

updated: 
Friday, July 19, 2019 - 1:31pm
Tyler M. Williams (Midwestern State University), James Martell (Lyon College) / American Comparative Literature Association
deadline for submissions: 
Monday, September 23, 2019

In 1958, while doing his military service at Kolea, Derrida writes to his friend Lucien Bianco: “Fascism will not pass […] never had my faith and my fear as a democrat seemed so very ‘gross’, and the fascist danger so close, so concrete, so invasive.

Call for chapters for edited book (extended)

updated: 
Friday, July 19, 2019 - 12:24pm
Postmodernism and Narratives of Erasure in Culture, Literature, and Language (edited book)
deadline for submissions: 
Tuesday, July 30, 2019

Editors Hassen Zriba
University of Gafsa, Tunisia

2020 C19: Reforming Women

updated: 
Friday, July 19, 2019 - 1:57pm
Emily Banta / Rutgers University
deadline for submissions: 
Friday, August 16, 2019

Please consider submitting an abstract for this proposed panel for the 2020 C19 conference in Coral Gables.

Reforming Women

Women were powerful activists in a range of nineteenth-century reform movements, agitating for abolition, temperance, prison reform, education reform, and women’s suffrage, to name a few. This panel asks how women’s reform work participated in the practices of dissent and consent, exploring the politics and poetics of nineteenth-century women’s activism. The very term “reform” bridges material change and continuity in the act of making: the work of re-forming involves repetition, revision, and return, which present substantial political possibilities as well as distinct limits.  

Call for Presentations: The Fourth Annual Ann Radcliffe Academic Conference at StokerCon UK

updated: 
Friday, July 19, 2019 - 12:18pm
StokerCon / Horror Writer's Association
deadline for submissions: 
Thursday, October 31, 2019

 

 

 

The Fourth Annual Ann Radcliffe Academic Conference at StokerCon UK

Abstract Submission Deadline: October 31, 2019

 

 

The Fourth Annual Ann Radcliffe Academic Conference at StokerCon UK

Conference Dates: April 16-19, 2020

Conference Hotel: The Royal and The Grand Hotels, Scarborough, UK

Feminist Resistance

updated: 
Friday, July 19, 2019 - 12:19pm
[sic] - a journal of literature, culture and literary translation / University of Zadar, Croatia
deadline for submissions: 
Tuesday, October 1, 2019

[sic] – a journal of literature, culture and literary translation
University of Zadar
Obala kralja Petra Krešimira IV. br 2
23000 Zadar
www.sic-journal.org

Call for Papers:

Feminist Resistance

 

 

Call for panelists for AAS 2020: Religion and Technology in Asia

updated: 
Friday, July 19, 2019 - 1:46pm
Anu Thapa/ University of Iowa
deadline for submissions: 
Friday, July 26, 2019

Looking for panelists for the Association of Asian Studies (AAS) annual conference in Boston, March 19-22, 2020. Below is the panel description:

This panel seeks to explore the intersections between religion and technology in Asian cultures and societies. Taking a broad view of religion, as lived and performative, the aim of this panel is to show how the theological, the technological and the anthropological intermingle to the point of indistinguishability in Asian cultures. The goal is to go beyond an instrumentalist approach wherein technology is enlisted into the service of religion and religious belief. I seek papers related (but not limited) to the following:

1) de/post colonial approach to religion, technology, secularism

Call for Papers - Pedagogy & Popular Culture (EXTENSION)

updated: 
Wednesday, October 30, 2019 - 5:02pm
2020 Southwest Popular and American Culture Conference
deadline for submissions: 
Wednesday, November 20, 2019

Proposals for papers and panels are now being accepted for the 41st annual SWPACA conference.  One of the nation’s largest interdisciplinary academic conferences, SWPACA offers about 70 subject areas, each typically featuring multiple panels.  For a full list of subject areas, area descriptions, and Area Chairs, please visit http://southwestpca.org/conference/call-for-papers/  

Proposals sections “Essays” and “Theory and practice of Translation” Ticontre, XIII, 2020

updated: 
Friday, July 19, 2019 - 12:19pm
Ticontre. Teoria Testo Traduzione
deadline for submissions: 
Tuesday, September 10, 2019

«Ticontre» focuses on Literary Criticism and Textual Analysis, History of Literature, Literary Theory, Comparative Literature, and Translation Studies. All manuscripts will undergo a double-blind peer-review process. Since its foundation in 2014, «Ticontre» is regularly published twice a year, with a total of eleven issues and 185 papers. In the last four years, pdf articles were downloaded more than 65,000 times. Up to thirty per cent of them are written in a language other than Italian and authors belong to over seventy different universities, half of which abroad.

SCMS 2020 - The Good Place: Morality, Mortality, and TV Pedagogy

updated: 
Friday, July 19, 2019 - 1:53pm
David Scott Diffrient / Colorado State University
deadline for submissions: 
Tuesday, August 13, 2019

Since its debut three years ago, NBC’s high-concept comedy-fantasy series The Good Place (2016- ) has racked up numerous critical accolades and industry awards in recognition of its narrative complexity, thematic depth, and groundbreaking audaciousness as a televisual text unlike any other.

Esotericism & Occultism @ SWPACA 2020

updated: 
Monday, November 18, 2019 - 4:41am
Southwest Popular/American Culture Association
deadline for submissions: 
Wednesday, November 20, 2019

Esotericism & Occultism

Southwest Popular / American Culture Association (SWPACA)

41st Annual Conference, February 19-22, 2020

Hyatt Regency Hotel & Conference Center

Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: EXTENDED TO WED, NOVEMBER 20


 

Graduate Journal aspeers Calls for Papers on "Pride and Shame in America" by 27 Oct 2019

updated: 
Friday, July 19, 2019 - 12:19pm
aspeers: emerging voices in american studies
deadline for submissions: 
Sunday, October 27, 2019

In June 2019, Stonewall 50 marked the largest LGBTQ+ event in history. Half a century ago, after the NYPD raids on the Stonewall Inn, a resistance movement that had loudly proclaimed ‘Gay Pride’ was born. The year before, James Brown had urged African Americans to “say it loud, I’m black and I’m proud.” Ever since, activists and scholars in these movements have welcomed the community-building that social formations rooted in pride have fostered, while, at the same time, backlash against the increased visibility of such disenfranchised groups has appropriated this terminology as well, for instance in the supremacist slogans ‘white pride’ or ‘straight pride.’

“Imagined Blackness in Imagined Communities”

updated: 
Wednesday, July 17, 2019 - 12:54pm
DeLisa Hawkes/ U of Maryland, College Park
deadline for submissions: 
Saturday, August 31, 2019

Afrofuturism has become increasingly central to critical conversations about Afro-pessimism, race relations, and cultural histories. This proposed panel draws from Benedict Anderson’s conception of “nation” in his pivotal text Imagined Communities as a generative starting point for thinking about black community formations, black futurity, and cultural histories represented in literature. Anderson claims that “since World War II every successful revolution has defined itself in national terms” (2). However, nations are merely “imagined political communities… as both inherently limited and sovereign” (6).

Desegregating Comics: Debating Blackness in Early American Comics, 1900-1960

updated: 
Friday, July 19, 2019 - 1:52pm
Qiana Whitted / University of South Carolina
deadline for submissions: 
Friday, November 1, 2019

Contributions are invited for a collection of original essays that explore race and blackness in American comic books, comic strips, and editorial cartoons from the turn of the twentieth century through the industry’s Golden Age in the 1940s and 1950s. The historical perception of black people in comic art has long been tied to caricatured images of indecipherable minstrels, witch doctors, and brutal savages, yet archives reveal a more racially complex narrative and aesthetic landscape, one that was enriched by the debates among comics artists, writers, editors, and readers about how blackness could be expressed on the page.

BEETHOVEN THE EUROPEAN

updated: 
Friday, July 19, 2019 - 1:51pm
Centro Studi Opera Omnia Luigi Boccherini
deadline for submissions: 
Tuesday, July 16, 2019

https://www.luigiboccherini.org/2019/05/22/beethoven-the-european/   BEETHOVEN THE EUROPEANLUCCA, Complesso Monumentale di San Micheletto27-29 March 2020 Keynote Speakers:• Barry Cooper (University of Manchester)• William Kinderman (University of Illinois at Urbana Champaign)  Beethoven’s impact is widely recognised as of seemingly universal, timeless significance; 250 years since his birth his music still communicates with and inspires people across the globe. Nevertheless his iconic, enduring oeuvre stems from a specific European cultural milieu and historical context.

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