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CFP: Special Issue of Philip Roth Studies-“Philip Roth’s Succès de Scandale”

Thursday, January 30, 2020 - 1:21am
Philip Roth Studies
deadline for submissions: 
Tuesday, September 1, 2020

Philip Roth Studies invites submissions for a special issue on the topic of "Philip Roth’s Succès de Scandale." Roth’s earliest short stories scandalized Jewish communities, and in 1969, the bestseller Portnoy’s Complaint proved even more shocking. Roth mocks American political scandal in Our Gang; connects sexual excess and artistic provocation in Sabbath’s Theater; and triangulates political correctness, public shaming, and sexual indiscretion in The Human Stain. Roth’s engagement with scandal extended beyond national boundaries, as evidenced by his efforts to illuminate the work of oppressed writers in 1970s Prague—where literature and art was considered to be politically scandalous by the totalitarian regime.


Tuesday, January 14, 2020 - 11:53am
University of Virginia Graduate English Students Association
deadline for submissions: 
Saturday, January 18, 2020

Announcement: Submissions Deadline Extended to January 18


26-27 March, 2020

University of Virginia Department of English Graduate Conference


Keynote: Kandice Chuh (CUNY) - "The Humanities as a Racial (Trans)Formation"

Masterclass: Jahan Ramazani (UVA) - "Poetry, (Un)Translatability, and World Literature"

DH Masterclass: Brad Pasanek (UVA) and Brandon Walsh (UVA)


S37: Just “making it new”? Modernist Fiction Writers Reaching Back to their Predecessors

Tuesday, January 14, 2020 - 11:53am
ESSE 2020 Conference Lyon
deadline for submissions: 
Wednesday, January 15, 2020

Modernist writers have been notoriously known as “making it new”, cutting ties with the previous generations, as famously declared by Virginia Woolf, denigrating their predecessors as materialist Edwardians. More recent research, however, argues that in spite of their manifestos, modernist writers actively engaged in a dialogue with their predecessors from all ages, taking inspiration and even narrative models from their texts, thus deconstructing the sharp dividing line created by the modernists themselves. The seminar invites presentations that pertain to this area of research so that we can have a more complex view of how modernism is positioned in literary history.