Bodies, and representations of bodies, surround our everyday existence. Our bodies, and the bodies around us, are subject to norms that police how a body should look or behave in a given context. Glamorous and desirable bodies draw positive attention and literary and cultural representations reflect this, while deviant bodies are policed and regulated. This panel aims to explore how various bodies are represented in contemporary culture as well as analyze how these representations impact our perceptions of self and world. In a moment where the international political landscape is reliant on the policing and weaponizing of bodies, it is more important than ever before to consider how conceptions of bodies foster these divisions.
Pacific Ancient and Modern Langauage Association (PAMLA) 2021 CONFERENCE, LAS VEGAS/Online: Thursday 11th November - Sunday 14th November 14 2021
This is an online/virtual session.
What stories does a city tell us, and how do we pass them on? How can we use stories to interpret a world where time and the outside is obscured? Should we weave narratives of a capitalist utopia or a dystopian warning? This virtual (online) session invites submissions of original, unpublished short stories of 2,000 to 3,000 words, linked to the PAMLA 2021 theme. The writers will read their stories, followed by a question and answer session with the audience.
19th-century America was the site of various reform movements: antislavery, women's rights, education, temperance, penal reform, et al.
This panel deals with women writers’ intervention in the Latin American political arena during the 20th and 21st centuries. Either by participating in a political party, a feminist organization, or by writing independently, this panel addresses how women writing have opposed, transgressed, and sought changes in the social order of their time. We invite proposals—in English, Spanish, and Portuguese—that reflect on how these subversive practices and ideas circulate and construct a personal and collective subjectivity. Additionally, this panel inquires on the relationship between these women’s writing and both the feminist movement and the wider political / economic context (which in Latin America has been marked by dictatorships and crisis).
As a result of the pandemic, the RHOME 2020 Conference on Dislocation (22-23 October 2020) has been postponed. However, the good news is RHOME will launch the first issue of, its new creative journal, ROAM, later this year.
Now more than ever, in this time of social distancing and confinement, RHOME sees the need to continue its focus on the theme, the experience and the actuality of home, the place and abode that looms so large these days in the lives of everyone on the planet.
CALL FOR PAPERS
Art and Aesthetics in Pandemic Time
The Polish Journal of Aesthetics No. 61 (2/2021)
Ineta Kivle (University of Latvia, Riga)
Dominika Czakon (Jagiellonian University in Kraków)
Natalia Anna Michna (Jagiellonian University in Kraków)
Submission Deadline: December 31, 2020
Society for the Study of Early Modern Women & Gender
Call for Panel Proposals
Renaissance Society of America Annual Meeting
Dublin, Ireland, 7-10 April 2021
In Demand the Impossible, Tom Moylan writes, “Utopian writing is, at heart, rooted in the unfulfilled needs and wants of specific classes, groups, and individuals in their unique historical contexts.” Women have long been creating utopic and dystopic visions in literature, history, and politics, sharing their own unfulfilled desires through dreams of better worlds or nightmares of oppressive societies. Texts such as Charlotte Perkins Gilman’s Herland and Octavia Butler’s The Parable of the Sower present alternative realities that simultaneously critique the author’s present time and place.
As we (North American academics) think and, moreover, live in the shadow of the global pandemic, the role digital media plays in our no-longer-ordinary lives becomes increasingly salient. During the quarantine, participation in digital lives can be said to be no longer a supplement or replacement for “real life”; instead, it seems to have become its constitutive activity. Nevertheless, this new entanglement between the pandemic and digital media is not devoid of national, political, economic, and linguistic specificities: issues of accessibility, censorship, credibility, and the like cannot be addressed in the abstract. Instead, they only become visible when uses of digital media is contextualized and compared across national and linguistic boundaries.
NeMLA: Northeast Modern Language Association
52nd Annual Convention, March 11-14, 2021, Philadelphia, PA
Theme: Tradition and Innovation, Changing Worlds though the Humanities
This special issue examines the role of literature and criticism in addressing poverty and dispossession. In a 2009 Inside Higher Ed op-ed, Keith Gandal predicted that the economic crisis would lead to literary studies finally putting “poverty near the top of the agenda and the center of the field.” Ten years later, poverty has become a focus of scholarship in the social sciences, particularly geography, anthropology, sociology, and critical legal studies. Yet the topic remains stubbornly marginal to literary studies, even though qualitative social scientific methods have been taken up in the discipline as never before.
The global COVID-19 crisis, and its economic fallout, have re-established two facts - that the economy is a fictive category, and that its inimitable centrality derives essentially from the power of its narratives. Prior to actual policies of austerity or re-openings of the economy, there exist narratives of weathering storms as character-building or the inalienable connection between economic and individual freedom. These narratives help us imagine the economy as a system; most often it becomes palpable because we have learned to tell stories about its origins, maintenance, purity, precarity, and futures. These stories acquire unique characteristics in the global south, a geopolitical category itself that narrativizes economic agon.
PLEASE NOTE NEW SUBMISSION DEADLINE OF OCTOBER 11TH
Signs of the prominence of oil as an object of study in the Environmental Humanities abound: the increasing circulation of terms like “Petroculture” and “petrocapital,” the emergence of the Energy Humanities as a sub-field, and the nearly simultaneous publication of recent volumes such as Living Oil (2016); Petrocultures (2017); and Energy Humanities: An Anthology (2017). Scholars in a range of disciplines are working to theorize and bring into focus the myriad economic, environmental, social, and imaginative ramifications of our relationship with—and dependence on—oil.
52nd Annual Northeast Modern Language Association Convention
March 11-14, 2021