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Community Through Women's Eyes

Tuesday, June 9, 2020 - 10:46am
Jeannine Pitas, University of Dubuque and Susanna Cantu Gregory, Clarke University
deadline for submissions: 
Tuesday, December 15, 2020


Call for Personal and Scholarly Essays for Edited Book: Community Through Women’s Eyes

Co-edited by Susanna Cantu Gregory, Ph.D. and Jeannine Pitas, Ph.D.

Keywords: community, faith community, adopted community, spirituality, women’s voices and experiences, intergenerational community, community entrance and departure, temporary community, online community, volunteer, activist, and literary communities.

Critical Approaches to Tradition and Innovation in Graduate Humanities Education

Tuesday, June 9, 2020 - 10:46am
Jo Grim and Sam Sorensen/ Northeast Modern Language Association Annual Convention
deadline for submissions: 
Wednesday, September 30, 2020

Submissions Information: We seek papers for a panel titled "Critical Approaches to Tradition and Innovation in Graduate Humanities Education" to be held at the Northeast Modern Language Association's 52nd annual convention in Philadelphia, PA, March 11-14, 2021. Please submit abstracts of 300 words here: https://www.cfplist.com/nemla/Home/S/18735. For questions or concerns, please contact Jo Grim at jcg314@lehigh.edu or Sam Sorensen at sms416@lehigh.edu. We look forward to reviewing your proposals!  

Soviet Underground and Parallel Cinema

Tuesday, June 9, 2020 - 10:45am
East European Film Bulletin (EEFB)
deadline for submissions: 
Saturday, August 1, 2020

CFP: Soviet Underground and Parallel Cinema


Proposals: 1st of August 2020

Papers due: 15th of October 2020


In the early 1980s, two moments of underground film — the so-called Parallel Cinema — emerge in St. Petersburg (then Leningrad) and Moscow. For the first time radical young filmmakers, painters and artists produce amateur films, mainly in 16mm, outside of Goskino’s state monopoly. While the Moscow school’s approach to film is shaped by the influence of conceptualist art, the Leningrad school, associated with “Necrorealism,” explores an expressionist and absurd cinema, circling around death, decay and horror.