Study abroad is frequently imagined as a transformative endeavor during a student’s university experience. Students often begin their studies with a tentative roadmap of courses guided by their future career goals, and, if the stars align, they will study abroad in their third or fourth year. Studying abroad is often encouraged in foreign language programs, but is traditionally framed as a parallel experience to their at-home semester. While of course the linguistic, cultural, intellectual and personal benefits of this experience have always been recognized to be invaluable, the long-lasting impact of the study abroad path is often not fully optimized.
CALL FOR PROPOSALS
“Trans Media Pedagogy”
Journal of Cinema and Media Studies Teaching Dossier section
Edited by Dr. Dan Vena (Carleton University/ Queen’s University) and Dr. Nael Bhanji (Trent University)
Commitment—a concept which names the title of Theodor Adorno’s 1962 critique of a text’s thematic engagement with politics—entails a work’s capacity to mark a site of historical intervention. “When I am committed,” says Jean-Paul Sartre, “I reveal the situation by the very intention of changing it…I strike at its very heart, I transfix it, and I display it in full view…with every word that I utter, I involve myself a little more in the world." For scholars of the modernist documentary, commitment serves as a starting point for attempts to better understand the historical import of literary experiments in reportage.
Stories from ancient Greek myths dot the literary landscape of the early 21st century. To some extent, this has been the result of deliberate planning, as when Canongate began publishing a series of mythological retellings by well-known authors in 2005. But alongside and independent of such coordinated efforts to keep old tales alive for contemporary audiences, offerings from both established authors (David Malouf, Barry Unsworth, Colm Toibin, Pat Barker) and successful newcomers (Madeline Miller, Daisy Johnson) have likewise retold and reimagined mythical narratives in recent years.
Beyond Crisis: Raymond Williams and the present conjuncture
A special issue of Coils of the Serpent: Journal for the Study of Contemporary Power
Guest Editors: Victoria Allen (Kiel) and Harald Pittel (Potsdam)
CFP: Media, Materiality and EmergencyThe deadline for full submissions is extended to 31st July 2020 (for submission in Nov 2020)
MAST: The Journal of Media Art Study and Theory
Guest editor: Timothy Barker (University of Glasgow)
In what ways do questions of materiality matter in a time of crisis? What does it mean to explore the matter of things at a time when we are threatened with the annihilation of that matter, its disappearance, or its disintegration? In this issue, MAST journal seeks to answer and further explore these questions through essays from arts practitioners and theorists.
for more details please see: http://mast-nemla.org/cfp-issue-2/
SPECIAL ISSUE - CALL FOR PAPERS
Ex-Centric Narratives: Journal of Anglophone Literature, Culture and Media
(Special Issue 5, Dec. 2021)
Religion, Mobilities and Belonging
in Contemporary Anglophone Literature and Film/TV Series Production
SPECIAL ISSUE GUEST EDITORS:
Dr. Efthymia-Lydia Roupakia, Aristotle University of Thessaloniki, Greece
Ever since Charles Taylor (A Secular Age) and Talal Asad (Formations of the Secular) questioned the supremacy of secularization, scholars in the fields of philosophy, sociology, and anthropology have used post-secularism to analyze gender, state violence, religion, pain, the senses, and more. This perspective has helped us to consider how secularization has been accepted as normative and inevitable, and how it functions as a disciplinary apparatus or as a constructed ideology.
Dawn Keetley and Matthew Wynn Sivils note that “the dominant American relationship with nature . . . has always been unsettling” with the Gothic “sewn into the very warp and woof of American literature." This panel seeks to coalesce a body of work which investigates the Ecogothic in American literature before 1900: letters, slave narratives, novels, and travel journals which foreground nature as protagonist. The panel aims to investigate how writers of early America invoked the Gothic to describe their wild environs as well as the natural spaces becoming trampled by progress and exploration.