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NeMLA 2021 CFP What Goes Up Must Come Down: High and Low Theories of the Victorian Novel

updated: 
Friday, September 18, 2020 - 9:49am
Anick Rolland
deadline for submissions: 
Thursday, September 30, 2021

CFP / / What Goes Up Must Come Down: High and Low Theories of the Victorian Novel

This panel examines high and low theories of the Victorian novel. Value of the 19th-century novel has fluctuated over time and under the influence of critics. Taking core theories into renewed consideration, this panel aims to gain perspective over high and low culture in its relation to the novel.

Call for Abstracts: NeMLA 2021 Panel (Virtual/Hybrid Platform) on Newspapers, Modernism, and Transnational Print Networks

updated: 
Friday, September 18, 2020 - 9:48am
Northeast Modern Language Association
deadline for submissions: 
Wednesday, September 30, 2020

The 52nd NeMLA (Northeast Modern Language Association) Convention (Philadelphia, PA) is now going to be held on a hybrid/virtual platform between March 11 and 14, 2021. This means you can present your papers virtually from anywhere in the world without having to travel to Philadelphia, PA. We now hope to hear more from scholars and students living outside of the US. Please consider sending your abstracts to our panels by September 30! See this link for more instructions: http://www.buffalo.edu/nemla/convention/callforpapers/submit.html

 Reposting my own panel description here for anyone interested in global modernism and print networks:

Call for Book Chapters- Paris in the Americas: Yesterday and Today- OCT 1st DEADLINE

updated: 
Wednesday, September 16, 2020 - 11:46am
Carole Salmon
deadline for submissions: 
Thursday, October 1, 2020

Call for Book Chapters- Paris in the Americas: Yesterday and Today

Vernon Press invites book chapter proposals for the forthcoming scholarly volume Paris in the Americas: Yesterday and Today, an interdisciplinary edited collection of essays that will examine the long-established relationship between Paris and North, Central, and South America from the 15th century until today.

NeMLA 2021: Fairy Tales and Adaptation

updated: 
Wednesday, September 16, 2020 - 11:45am
Ana Oancea, University of Delaware
deadline for submissions: 
Wednesday, September 30, 2020

Fairy Tales and Adaptation

 

This panel is part of the 52nd annual convention of the NeMLA, held March 11-14, 2021. Presenters will be able to give their papers either virtually, or in person in Philadelphia.

The panel proposes a discussion of the transformations fairy tales undergo when being adapted into new media (for example, Hansel and Gretel as an opera), new cultures (Hans Christian Andersen’s Little Mermaid as Hayao Miyazaki’s Ponyo) and new historical or theoretical contexts (Catherine Breillat’s Sleeping Beauty).

ECR/Grad Students: call for short book reviews, popular culture/cultural studies

updated: 
Wednesday, September 29, 2021 - 6:23am
PopMeC research blog
deadline for submissions: 
Sunday, January 31, 2021

This call is for our book recommendation section.for the academic blog (ISSN 2660-8839, https://popmec.hypotheses.org) of the PopMeC Association for US Popular Culture Studies.

We aim at recommending books that we find relevant in the realm of the representation of the US, as well as in the related cultural studies. We’d like to share books that we found inspiring, useful, and engaging, delving into culturally relevant topics, popular culture products, public reception, cultural politics, minority/discriminated groups’ representation, collective imaginaries fueled by cinema, music, comics, TV series, public performances, and whatnot. 

Evil - Traditions and Transformations: 3rd Global Interdisciplinary Conference

updated: 
Friday, September 18, 2020 - 2:35am
Progressive Connexions
deadline for submissions: 
Friday, September 25, 2020

Evil - Traditions and Transformations
3rd Global Interdisciplinary Conference

Friday 16th April 2021 - Saturday 17th April 2021
Vienna, Austria

Both essentialist and contextual notions of Evil – the things we do as well as the things that happen to us – continue to be a stubborn and destructive presence in our lives. But what is “Evil”? What are the moral, political, philosophical, pragmatic, individual and global implications of calling something or someone “Evil”? What impact does that have on personal and social identities? How are concepts of Evil mediated and represented through different cultural forms? If ascribed too loosely is the intended effect of the term (whatever that may be) diminished?

Call for Papers: »Non-Narrative Comics«

updated: 
Wednesday, September 16, 2020 - 11:43am
CLOSURE: The Kiel University e-Journal for Comics Studies
deadline for submissions: 
Sunday, November 22, 2020

Call for Papers – CLOSURE: The Kiel University e-Journal for Comics Studies #8 (November 2021) / Thematic Section: »Non-Narrative Comics«

Open Section

In the fall of 2021, CLOSURE will once again offer a forum for all facets of comics studies. From literary, cultural, media, social and image research to the sciences and beyond: the seventh edition of CLOSURE continues our ongoing search for the best and most innovative articles and reviews representing the state of the art in comics research. We welcome detailed close readings as much as comics theory and pioneering approaches to the medium — our open section comprises a diverse range of interdisciplinary studies of all things ›comic‹.

Music and Nationalism: 3rd Global Interdisciplinary Conference

updated: 
Friday, September 18, 2020 - 2:35am
Progressive Connexions
deadline for submissions: 
Friday, September 25, 2020

Music and Nationalism
3rd Global Interdisciplinary Conference

Friday 16th April 2021 - Saturday 17th April 2021
Vienna, Austria

Music is commonly regarded as a universal language, and yet it is also through music that the fiercest of nationalistic sentiments and inspirations for protest and rebellion have been expressed.

Monsters and the Monstrous: 2nd Inclusive Interdisciplinary Conference

updated: 
Friday, September 18, 2020 - 2:36am
Progressive Connexions
deadline for submissions: 
Friday, September 25, 2020

Monsters and the Monstrous
2nd Inclusive Interdisciplinary Conference

Friday 16th April 2021 - Saturday 17th April 2021
Vienna, Austria

“I’m hated, execrated, those I meet are repelled by me. They want me crucified, and maybe their feelings are all too justified,” sang the American band The Bastard Fairies in their 2010 title track “Man-Made Monster.” The lyrics of the song oscillate between cackling threats of murder and cannibalism, and the lament, “It didn’t have to be this way, I’m a man-made monster led astray.”

CFP: Returning to and Updating Burke

updated: 
Wednesday, September 16, 2020 - 2:58pm
Daniel Adleman and Chris Vanderwees
deadline for submissions: 
Tuesday, December 15, 2020

In the mid-twentieth century, Kenneth Burke's massive body of work on the "new rhetoric" was widely considered to be a watershed for the rhetorical tradition and its interlocutors. Routing classical and new rhetorical concepts through contemporary understandings of the unconscious, ideology, media, discourse, literature, politics, ecology, and economics, Burke rendered "mere rhetoric" relevant to the concerns of modernity.  In 2020, his trailblazing approaches to terms such as identification, orientation, attitude, hierarchyinterpretation, occupation, action, trope, etc.

The Detective, the Artist, and the Professor: Genre and Other Critical Mysteries

updated: 
Saturday, October 10, 2020 - 5:57pm
Mollie Copley Eisenberg / University of Southern California
deadline for submissions: 
Monday, October 19, 2020

This is a call for papers for a panel to run at NeMLA 2021, which will be conducted virtually March 11-14, 2021. Submit an abstract by October 19, 2020 [deadline extended] here: https://www.cfplist.com/nemla/Home/S/18807

This panel seeks to convene a conversation that theorizes the relationship between the detective novel, the art novel as it has been understood since modernism, and professional literary study—and in doing so move the critical study of detective fiction beyond the impulse to validate the genre as an object of study or redeem it from the stigma of genre.

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