2020
/11
/13

displaying 1 - 8 of 8

REMINDER: Crossroads Digital Humanities Contest

updated: 
Monday, January 4, 2021 - 12:30am
Humanities Center / Nova Southeastern University
deadline for submissions: 
Saturday, March 27, 2021

The Digital Humanities Crossroads Contest invites undergraduate and graduate students to showcase their Digital Humanities research at the Crossroads Humanities Student Conference. This contest encourages students to develop the academic and professional skills necessary to navigate and participate as active contributors in modern day networks of information and digital literacies.

REMINDER: 3rd Annual Crossroads Humanities Student Conference: "Networks"

updated: 
Monday, January 4, 2021 - 12:28am
Humanities Center / Nova Southeastern University
deadline for submissions: 
Friday, January 15, 2021

Information, resources, and diseases are all things that are communicable across real and imagined borders. They are transmitted by the World Wide Web, television, highways and trains, diasporas, marketplaces, governments, viral media, social events, casual associations, the human system, and more. Networks as a model and metaphor for examining the structures of societies, politics, culture, and the body appear in seminal texts across disciplines, including Norbert Wiener’s Cybernetics (1948), Michel Foucault’s Discipline and Punish (1975), Jean-François Lyotard’s The Postmodern Condition (1979), Donna Haraway’s “A Cyborg Manifesto” (1985), and Timothy Morton’s Ecological Thought (2010).

New Chaucer Studies: Pedagogy and Profession

updated: 
Thursday, November 19, 2020 - 11:29pm
Katie Little
deadline for submissions: 
Thursday, April 1, 2021

 

Call for Papers

 

New Chaucer Studies:  Pedagogy and Profession

The Book Out of Order: Structure, Inversion, Dissent

updated: 
Sunday, December 20, 2020 - 11:41pm
University of Toronto's Book History and Print Culture Student Colloquium
deadline for submissions: 
Monday, January 11, 2021

“The book always aims at installing an order, whether it is the order in which it is deciphered, the order in which it is to be understood, or the order intended by the authority who commanded or permitted the work.” (Roger Chartier, The Order of the Book)

If, according to Roger Chartier, “the book always aims at installing an order,” what does it mean for the book to be out of order? Is it broken? Is it committing some kind of transgression? Is it still a book? What is a book supposed to do, and what does it mean when it falls short of its perceived functions – or overshoots them? 

DEADLINE EXTENDED: 31st Annual Mardi Gras Graduate Student Conference 'Uncertain Futures'

updated: 
Tuesday, December 22, 2020 - 5:17pm
Louisiana State University - English Graduate Student Association
deadline for submissions: 
Monday, January 4, 2021

DEADLINE EXTENDED

 

31st Annual Online Mardi Gras Conference at LSU

“Uncertain Futures: Exploring Ambiguities, Hopes and Anxieties”

 

Dates: Wednesday, February 10th, 2021 - Friday, February 12th, 2021

 

Stanley Cavell: A Retrospective - New conference dates

updated: 
Wednesday, September 8, 2021 - 1:48pm
Vita-Salute San Raffaele University of Milan
deadline for submissions: 
Saturday, May 1, 2021

CALL FOR PAPERS

Stanley Cavell: A Retrospective

Vita-Salute San Raffaele University of Milan

Palazzo Arese-Borromeo (Cesano Maderno), September 23th - 24th 2021 

 

Website: https://cavellretrospective.wixsite.com/september2021

 

The conference will take place physically at Palazzo Arese-Borromeo in Cesano Maderno (25 minutes from the city center of Milan), but will also be streamed on Microsoft Teams.

To attend online, click on the following links:

 

Art, Museums and Digital Cultures

updated: 
Friday, November 13, 2020 - 9:20am
Museum of Art, Architecture and Technology and the Institute of Art History, School of Social Sciences and Humanities, Universidade NOVA de Lisboa
deadline for submissions: 
Monday, December 21, 2020

The International Conference on Art, Museums and Digital Cultures will bring together different scientific and creative perspectives on the crossovers between information technologies and the arts. How are museums, curators and the artists themselves responding to the opportunities, but also the risks, of the so-called “digital transformation”?
Recognising the complexity and plurality of digital cultures, the conference will discuss recent or ongoing research works in different geographies and cultural contexts.
We invite scholars, independent researchers, digital media specialists, curators and artists to submit proposals for a 15-minute in-person or online presentation, focusing on one or more of the following topics: