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CFP:
Literary Women: Global Encounters, Interventions and Innovations, 1750-1830 (Due 31stOctober 2021)
Guest Editors:
Dr Yi-cheng Weng (National Taiwan University, Taiwan)
Dr Gillian Dow (University of Southampton, UK)
CALL FOR PAPERS: COVID-19 IRELAND
This volume presents different facets of the existing dialogue between COVID-19 and cultural memory in Ireland from a plural set of disciplines and perspectives, including agency, arts, politics, health, and society. This publication is looking at the global COVID-19 crisis and its significant effects on the dynamics of Irish society, the economic and political order, and the Arts.
CfP: Victorian Ecologies
Victorian Network is an open-access, MLA-indexed, peer-reviewed journal dedicated to publishing and promoting the best work across the broad field of Victorian Studies by postgraduate students and early career academics. We are delighted to announce that our fourteenth issue (2021) on the theme of “Victorian Ecologies” will be guest edited by Elizabeth Miller (UC Davis).
Co-editors: Natalie Grinnell, Reeves Family Professor in the Humanities (Wofford College) and Will Rogers (University of Louisiana-Monroe)
Charlotte Mew and Friends
Decadent and Modernist Networks
A one-day virtual symposium 9 July 2021
Organisers
Dr Megan Girdwood, University of Edinburgh Dr Francesca Bratton, Maynooth University Dr Fraser Riddell, Durham University
Keynote
Professor Joseph Bristow, UCLA
‘I think it is myself I go to meet’ ‘The Quiet House’ (1916)
William Golding: Beyond Good and Evil
Call for Papers and Expressions of Interest
We are excited to announce a virtual symposium on the work of William Golding to be held in the spring of 2021 (8th April). We would like to invite all those who are interested in Golding to participate through critical and/or creative responses to his writing, and are particularly keen to hear from emerging scholars and those whose voices have seldom been heard in Golding criticism.
Constant transformation has been the norm in the new digital media environment since its inception. During the 2020 health crisis, the impact of this ever-changing digital world in our daily lives has been especially notable. Due to quarantine measures, the only opportunity to interact with friends and to consume culture was to rely on social networks, streaming services and video conferencing softwares. Web-based cultural activities have affected people’s relationships with cyberspace: many have visited museums, seen award ceremonies, and even been to concerts online. In other words, we are never disconnected from the Internet (DeNardis 2020).
Gender Cultures: Essays in Identity & Expression
(Eds: Subhadeep Paul & Goutam Majhi)