This special issue of The Projector, edited by guest editor Jamie Ann Rogers, seeks submissions focused on contemporary community media as activist and aesthetic practices. In 2005, Kevin Howley described community media as “popular and strategic interventions into contemporary media culture committed to the democratization of media structures, forms, and practices.” In revisiting this definition 15 years later, the holistic aim of this special issue is to interrogate shifts in various community media making environments brought about in the past decade.
The Department of Languages and Literature and the College of Liberal Arts at Northeastern State University will be hosting the Southwest Conference on Christianity and Literature annual regional meeting on October 15-16, 2021 at Northeastern State University’s campus in Broken Arrow, Oklahoma.
In light of the disruptions in our world created by COVID-19, the working theme for this year’s conference will be “Christian Community” as we begin to rebuild and reestablish communal bonds and seek to understand how our sense of community and the communal have changed in response to the world around us.
Possible paper topics include, but are not limited to:
CFP: 55th Annual Comparative Literature Conference
Outcasts and Outliers in Literature, Music, and Visual Arts
Wednesday and Thursday, April 7-8, 2021
The Comparative World Literature Program at California State University, Long Beach,
invites abstracts for presentations at its 55th annual conference in Long Beach,
California on the topic of Outcasts and Outliers. In accordance with university policy,
this conference will be virtual. It is the hope of the conference committee that this
New Directions in Much Ado About Nothing
Jesmyn Ward is a two-time winner of the National Book Award, winner of the 2013 National Book Critics Circle Award, and a recipient of the MacArthur “genius grant.” Known for her critically acclaimed fiction and non-fiction, Ward’s lyrical narratives of Black life, home, and family in Louisanna’s Gulf Coast are visceral and evocative. Moreover, while her work is often set in the same geographical region, the concerns explored within it stretch beyond the shores of the Gulf Coast, extending if not physically then cosmologically toward the Caribbean and the African continent. Yet, despite the critical celebration and geopolitical breadth of her work, Ward remains remarkably under-studied, particularly outside the United States.