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The Uses of Color in US Popular Cultural Production and Representation

Wednesday, August 11, 2021 - 6:19am
PopMeC peer-reviewed academic blog (ISSN 2660-8839)
deadline for submissions: 
Thursday, September 30, 2021

A dark urban setting scattered with dots of light. Yellow gas flames shoot up against a glowing red horizon, creating an almost hellish feel. Flying cars pierce the atmosphere, revealing the orange smog haze that reappears in urban sequences throughout the movie. As the camera moves closer to futuristic, monumental buildings, cold white beams of light transition to interiors dominated by blue hues. Sequences in the Tyrell Corporation are marked by cool tones as opposed to Deckard’s warm-toned private spaces. How would we feel and think about a cult film like Blade Runner (1982) if cinematographic choices about color had been made differently?


Friday, March 26, 2021 - 10:41am
Northeast Popular Culture Association (NEPCA)
deadline for submissions: 
Sunday, August 1, 2021


NORTHEAST POPULAR CULTURE ASSOCIATION, Virtual, October 21 to October 23, 2021
August 1, 2021


The Northeast Popular/American Culture Association (NEPCA) is seeking paper proposals on the topic of Romance/Popular Romance Fiction for its annual conference. 


International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education

Friday, March 25, 2022 - 12:23pm
deadline for submissions: 
Monday, June 20, 2022

International Multidisciplinary Scientific Conferences on the Dialogue between Sciences & Arts, Religion & Education

Symbol and Reality- 7th MCDSARE Conference, 29-30th June, 2022
Are symbols same as the reality?  The symbolic power is considered as the basic element that determines the force of Science, Art and Eucation.   

International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 2022,  provides a unique opportunity to academics and practitioners alike to interact and share knowledge on timely research.  

Edited volume of essays on Zadie Smith

Friday, March 26, 2021 - 10:41am
Noémi Albert
deadline for submissions: 
Monday, May 10, 2021

We are working on an edited volume on the works of Zadie Smith. This is an international project that proposes to chart the complexities of Smith’s works to date. Papers have already been submitted on White Teeth, on the short stories, and on NW, by several colleagues from Turkey, the US, Germany, and Britain. Further papers are welcome on The Autograph ManOn Beauty and Swing Time, or any of Smith’s other works.