Announcing the Call for Papers for On Belonging 2: English Conceptions of Migration and Transculturality, 1550 – 1700 (26 - 30 July 2021)
We are happy to announce that the Call for Papers for our summer 2021 conference is now open! Leading on from our first ‘On Belonging’ conference in 2018, ‘On Belonging 2’ will take place online, with morning and afternoon sessions spread out over 5 days between 26 – 30 July 2021.
Sillages Critiques Special Issue
Call for Papers
After Nineteen Eighty-Four: British Dystopias, from 1984 to the present day
The registration to our conference series is open and it will be ongoing throughout our panels calendar. You can find all the information (including panels' details and the sessions' calendar) in the conference website: https://www.popmec.com/gothic-conference/.
Critical essays are invited for an edited volume with ISBN (to be published by a reputed publisher) tentatively titled A Critical History of Ideas: Modernism.
The travel memoir offers an opportunity to examine a number of issues in terms of creative non-fiction. Travel stories focus on individuals who become strangers to themselves when they exile themselves from the environmental and cultural factors that have defined them thus far in service of self-discovery. They link up with the grand Odysseus-like impulse of traditional and modern literature that can profoundly alter identity when they travel and write about their experiences. Topics to consider include the issue of fact vs.
The Journal of Literary Multilingualism explores texts written in non-native languages, in a mix of languages and alternating languages. It examines a wide range of literary practices from around the globe broadly defined by multilingual and multicultural situations. The phenomenon of literary multilingualism is as old as literature itself but has received more scholarly attention as migration and globalization have increased in recent years. As the first international journal devoted entirely to this emerging interdisciplinary field, it offers a forum for cutting-edge research across the humanities and social sciences.
The publication of There There by Cheyanne/Arapaho writer Tommy Orange in 2018 and Sacred Smokes by Lakota writer Theo Van Alst in 2019 marks a shift in Indigenous stories. Unlike so many Native texts before, Oranges places his story not in Indian Country but in the urban setting of Oakland. The figure of the Urban Indian has had negative connotations within Native communities as a mark of assimilation and dilution of Indigenous culture since the figure is removed from traditional homelands and communities. Orange and other Indigenous authors, however, are publishing stories that challenge this connotation and reimagine the Urban Indian.
The Gaskell Journal runs a biennial Graduate Student Essay Prize in honour of Joan Leach MBE, founder of the Gaskell Society. The winning essay will be published in the Gaskell Journal (with revisions as appropriate), and its author will receive £200 from the Gaskell Society, and a complimentary copy of the Journal.
The Martineau Society will be hosting its annual conference in Scarborough, England. The Martineau Society conference is an interdisciplinary conference that focuses on the lives, work, and contributions of the Martineau family, including its two most famous and influential members, Harriet Martineau (1802-1876) and James Martineau (1805-1900).
Started by Norwich Unitarians in 1994, the Martineau Society encourages scholarship on the Martineau family and their nineteenth-century context as well as their continuing influence.
Topics may include, but are not limited to, the following:
Theology and Religion
Literature (all genres, including Children’s Literature and Travel Writing)
Language and Linguistics
European Journal of American Studies (EJAS)
Call for Papers
Hamilton and the Poetics of America
Call for Contributions
Deadline for Submission-Abstract: 1 July 2021
Deadline for Submission-Chapter: 1 February 2022
Historians and archaeologists, heritage scholars and professionals routinely focus on the digital transduction and rendering of text and artefacts when discussing the digitization of the heritage sector. Repositories, databases, 3D artifacts, immersive environments, interactive maps, and computer games are but some of the ways in which the past is currently reproduced and conveyed. But the implications of this digital turn for those outside the academy have yet to be fully appreciated and analyzed. This volume aims to further this conversation.
Special Edition of Revenant:
“The Exorcist: Studies on Possession, Influence, and Society”
Deadline for abstract submissions: October 31, 2021
Guest Editors: Edmund P. Cueva (University of Houston-Downtown) and Nadia Scippacercola (Università degli Studi di Napoli Federico II)