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INCS 2022 "Strata"

updated: 
Friday, June 4, 2021 - 11:13am
Interdisciplinary Nineteenth Century Studies
deadline for submissions: 
Friday, October 8, 2021

Strata

March 24-27, 2022

Salt Lake City, Utah

 

The World of Alt-Ac

updated: 
Friday, June 4, 2021 - 11:12am
Trisha Kannan
deadline for submissions: 
Thursday, July 15, 2021

South Atlantic Modern Language Association conference, November 4–6, 2021, Atlanta, Georgia

This session of SAMLA 93 invites proposals for a roundtable discussion about Alt-Ac (Alternative-Academic) experiences and opportunities. Anyone with a graduate degree working in a career outside of academia or within the academy and not teaching is encouraged to apply. By July 15, 2021, please send a CV and a brief description of how you would contribute to the discussion to Dr. Trisha Kannan at trisha@concisionmatters.com.

The Queen of Social Distancing?

updated: 
Friday, June 4, 2021 - 11:12am
Trisha Kannan
deadline for submissions: 
Thursday, July 15, 2021

South Atlantic Modern Language Association conference, November 4–6, 2021, Atlanta, Georgia

Reminder: Scoring Peak TV: Music and Sound in Television’s New ‘Golden Age’

updated: 
Thursday, October 7, 2021 - 2:45am
Steve (Janet K.) Halfyard/ Royal Conservatoire of Scotland
deadline for submissions: 
Monday, November 1, 2021

Reminder: Call for papers - deadline November 1st

Scoring Peak TV: Music and Sound in Television’s New ‘Golden Age’

 

We invite abstracts proposing contributions to a project led by Dr Steve Halfyard (RCS) and Prof. Nicholas Reyland (RNCM). The project will involve two phases of work: a conference/workshop (to be held in 2022, location and medium tbc.) and an essay collection co-edited by Halfyard and Reyland (to be submitted end 2023).

CFC Screening Loss: An Exploration of Grief in Contemporary Horror Cinema

updated: 
Wednesday, June 30, 2021 - 8:33pm
Dr. Erica J. Dymond - East Stroudsburg University
deadline for submissions: 
Sunday, August 1, 2021

Horror films have long held a place in cinematic history as an expression of the monstrous, the un-nameable, and the unknown. They are a powerful point of catharsis in which viewers see their deepest fears played out onscreen, whether the threat is fully embodied or less concretely defined. As a result, grief and loss have always figured heavily in this genre.