A geological timescale provides a way of thinking about power relations between human beings and all kinds of geological forces. Since Paul Crutzen and Eugene Stoermer proposed the term of the Anthropocene, the concept of the age of the Anthropocene brought out the environmental concern. This term evidently intends to mean "the human epoch" because the human force has become one of the dominant geophysical forces. It is believed that this new epoch began in the later 18th Century when the global effects of human activities have become clearly noticeable. That is, the age of the Anthropocene comes along with globalization.
CFP – Panel: 53rd annual Convention of the Northeast Modern Language Association
Guerres au masculin, exterminations au féminin: entre expériences, trauma et révoltes"
March 10-13, Baltimore, MD
Monsters of Beowulf: Past, Present, Future
Session Proposed for the 2021 Conference of the Northeast Popular Culture/American Culture Association
Sponsored by the Monsters & the Monstrous Area
Virtual event, Thursday, 21 October, through Saturday, 23 October 2021.
Proposals due by 1 August 2021.
Queer(ing) Survival during the Sixth Extinction
Chair: Bradley Harmon (Johns Hopkins University)
Call for Papers:
“C’est avec 76.900 hommes que la France assure la paix et les bienfaits de la civilisation à ses 60 millions d’Indigènes. ”
#MeToo and Contemporary Literary Studies: panel accepted for the 2022 NeMLA conference (March 10-13, 2022; Baltimore, MD)
This collection will consider relationships between performances and archives, and the impact of race, gender, sexuality, and class on how performance is documented. It will ask what is remembered and forgotten by theatre archives, how archives supplement and occasionally supplant memories of performances, and how those memories and omissions carry into later performances.
JNR invites proposals for a special issue, edited by Lynsey McCulloch and Emily Winerock, on ‘Dance of the Northern Renaissance’. Dance was a key cultural practice of the early modern period: it was integral to theatrical representation; it was a significant element of court ritual; and it fulfilled an important social function. But how might we characterise the particular dance practices of Northern Europe? French, Spanish and Italian traditions have dominated histories of Renaissance dance. However, more recent accounts have challenged the conflation of North and South in discussions of early European dance, drawing attention to the myriad regional and national variations at work.
Our cultural exercises and transactions have a symbiotic relationship with the past. The traces of our past determine the essence of the present and these traces manifest as memories. This fluid and liminal nature of memories lends an element of elasticity while crafting personal and collective identities, nationhood, history, body, imagination, communities, erasure and approval of knowledge systems and much more. The process of recollecting, recalling, remembering, retrieving, registering, witnessing, repressing, recording, forming, forgetting memories frees them from all forms of spatial and temporal boundaries and makes them powerful agents of disruption and change.