A estrema: revista interdisciplinar de humanidades, uma publicação em linha do Centro de Estudos Comparatistas (CEC) da Faculdade de Letras da Universidade de Lisboa (FLUL), está com uma chamada aberta para artigos e recensões para a 1.ª edição da sua Série II ― Inverno 2021/22. A estrema é uma revista digital e de livre acesso que visa proporcionar uma plataforma de publicação, divulgação e debate académico a todos os alunos do ensino superior nacional e estrangeiro, bem como de outros autores interessados, cujos trabalhos serão avaliados num processo de double-blind peer review.
Estrema: interdisciplinary journal of humanities is an online journal of the Centre for Comparative Studies (CEC) at the School of Arts and Humanities of the University of Lisbon. It is currently holding a Call for the 1st edition of its 2nd Series, to be released during the Winter of 2021/22. Estrema is an open access journal which provides a platform for the publication and sharing of academic papers to all graduate and post-graduate students from both Portuguese and international universities, as well as to any author outside academia interested in publishing.
2022 marks a significant anniversary for the celebrated — and divisive — work of Hunter S. Thompson. His seminal Fear and Loathing in Las Vegas celebrates fifty years since its publication in book form, as do the dispatches from the George McGovern campaign that would later become Fear and Loathing on the Campaign Trail ’72. This panel aims to reexamine Thompson’s body of work and the refractions of his presence as a cultural signifier in popular conception, as well as to consider the viability of the Gonzo form and style as something that could survive — and evolve beyond — its virtually metonymic association with Thompson.
CFP: Pandemic “TV”
Many Doors to Fantastica: The Neverending Story & the Education of the Imagination
Call for Papers: Edited Collection on The Neverending Story
Edited by Sean C. Hadley, Jeremy Scarbrough, Josh Herring
JCCT invites novel researchers to submit their original, unpublished work in Volume 3 (2). JCCT
is an international, open access, double-blind peer-reviewed journal published by the University
of Management and Technology (UMT), Lahore.
JCCT mainly addresses the research articles under the domains of English (American and
Asian) Linguistics, Applied Linguistics,TESOL, ELT, Intercultural Communication, Diversity in
Communication and Cultural trends, anthropological linguistics, etc. The journal covers a wide
range of areas including different aspects of language and culture.
Submission Deadline: 15 August 2021
Publication Date: 31 October 2021
We are pleased to announce our next essay-writing competition. The award is open to all post-graduate research students and to all early career researchers (up to five years after the completion of your PhD) who have yet to find a full-time or tenured position. The prize is guaranteed publication in Foundation (winter 2022).
To be considered for the competition, please submit an original 6000-word article on any topic, period, theme, author, film or other media within the field of science fiction and its academic study. All submitted articles should comply with the guidelines to contributors as set out on the journal pages of the SF Foundation website. Only one article per contributor may be submitted.
Call for Papers
Apocalyptica is an interdisciplinary, international, double-blind peer-reviewed academic journal published by the Käte Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (CAPAS) at Heidelberg University. The journal publishes incisive analyses and diverse perspectives regarding the end of worlds.
We are seeking submissions that actively explore the apocalypse as a forceful figure of thought in order to grapple with the historical experiences, present confrontations, and future possibilities of (up)ending worlds.
Article length: 8,000-9,000 words
Deadline: 15 November 2021
The interplay between technology, gender and culture has attracted increasing interest over the past years. It has been the subject of intermedial approaches, ranging from gender-specific explorations of literary discourses on technology to film and cultural analyses.