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GCWG 2022 Conference

updated: 
Saturday, September 25, 2021 - 11:48am
Global Conference on Women and Gender
deadline for submissions: 
Monday, November 1, 2021

Christopher Newport University’s College of Arts and Humanities seeks abstracts for the forthcoming

Global Conference on Women and Gender

to be held in person and online, March 17-19, 2022

Our theme is:

Community, Care, and Crisis

Global Conference on Women and Gender

updated: 
Saturday, September 25, 2021 - 11:49am
Christopher Newport University
deadline for submissions: 
Monday, November 1, 2021

Christopher Newport University’s College of Arts and Humanities seeks abstracts for the forthcoming

Global Conference on Women and Gender

to be held in person and online, March 17-19, 2022

Our theme is:

Community, Care, and Crisis

Forum: Issues about Part-Time and Contingent Faculty

updated: 
Monday, August 9, 2021 - 1:44pm
Dr. Trace Daniels-Lerberg
deadline for submissions: 
Wednesday, September 1, 2021

Forum is published twice a year by the Conference on College Composition and Communication. We invite you to submit essays related to the teaching, working conditions, professional life, activism, and perspectives of non-tenure-track faculty. Faculty and scholars from all academic positions are welcome to contribute. Of special interest are research, analyses, and strategies grounded in local contexts, given that labor conditions and the needs of contingent faculty vary greatly with geography, institutional settings, and personal circumstances. Essays should be approximately 3,000 words and address theoretical and/or disciplinary debates. They will go through the standard peer-review and revision process.

Victorian Re-Encounters (Special Issue of Victorian Poetry)

updated: 
Monday, August 9, 2021 - 1:44pm
Dominique Gracia / University of Oxford
deadline for submissions: 
Friday, December 31, 2021

Victorian Re-Encounters

Special Issue of Victorian Poetry, Summer 2023

Guest Editors: Dominique Gracia (University of Oxford) and Fergus McGhee (University of Cambridge)

Deadline: 31 December 2021

CFP: TARKOVSKY REVISITED (DEC 2021) University of Porto, Portugal

updated: 
Monday, August 9, 2021 - 1:44pm
University of Porto (ILCML/CITCEM)
deadline for submissions: 
Friday, October 15, 2021

TARKOVSKY REVISITED
dialogue between the moving image and the other arts

Faculty of Arts and Humanities
University of Porto (ILCML/CITCEM)

16 December 2021


 

 KEYNOTE SPEAKERS

Steven Jacobs
Ghent University, Department of Art History

Tobias Pontara
University of Gothenburg, Department of Cultural Sciences


 

 

The Moving Image, 22.2 :Borders and Boundaries Special Issue | Submissions due: October 18, 2021

updated: 
Monday, August 9, 2021 - 1:44pm
Associatioon of Mooving Image Archivists
deadline for submissions: 
Monday, October 18, 2021

Borders and Boundaries Special Issue

The Moving Image, 22.2 Submissions due: October 18, 2021

 

The Moving Image invites submissions for possible inclusion in a Borders and Borderlands Special Issue. Building upon the Borders and Borderlands stream at the AMIA Spring 2021 conference, we welcome work that examines contact zones, third spaces, and fluid identities of humans and moving images in liminal spaces.

 

Call for Papers: Edited Collection on Satanism and Feminism in Popular Culture

updated: 
Monday, August 9, 2021 - 1:43pm
Miranda Corcoran
deadline for submissions: 
Sunday, October 31, 2021

In 2017 historian Per Faxneld published the landmark study Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth-Century Culture. The book argues for the existence of a nineteenth-century counter-reading of Satan that constructed the Devil as a symbol of women's liberation, progressive values, and intellectual freedom. For nineteenth- and early twentieth-century suffragists, artists, and radical thinkers, Satan served as an empowering model of self-determination and nonconformity.

IMC 2022 Conflict and Integration: Crossing Medieval Borders

updated: 
Monday, August 9, 2021 - 1:43pm
Elisa Ramazzina University of Oxford, Queen's University Belfast
deadline for submissions: 
Sunday, September 5, 2021

International Medieval Congress, Leeds, 4-7 July 2022

 

Organisers: Dr Elisa Ramazzina (University of Oxford and Queen’s University Belfast); Professor Karen Pinto

 

Deadline approaching: Call for Chapters: Of (Hu)Man and Monarchs: Humanness and the Fictional Representations of Monarchs in literature, Arts, popular culture and Media

updated: 
Friday, November 26, 2021 - 8:54am
University of Gafsa
deadline for submissions: 
Friday, December 31, 2021

Call for Chapters: Of (Hu)Man and Monarchs: Humanness and the Fictional Representations of Monarchs in literature, Arts, popular culture and Media (The title may change) contact email: crowncollection436@gmail.com 

He wrapped himself in regal garments and fastened the sash.

When Gilgamesh placed his crown on his head,

a princess Ishtar raised her eyes to the beauty of Gilgamesh.

Psychoanalysis and Fashion

updated: 
Monday, August 9, 2021 - 1:43pm
Julia Bruehne, Matthew Lovett / NeMLA's 53rd Annual Convention, March 10-13, 2022
deadline for submissions: 
Thursday, September 30, 2021

To find a point of intersection between the realms of fashion and psychoanalysis, we should first try to define what exactly is fashion. As an expression of creativity, fashion could serve as a medium to canalize the inner life of the individuum, which is a concept that evokes the notion of the subconscious. Some artists and designers have already undergone an exploration of this field of work, Dalí and Schiaparelli being the most relevant case among them. Despite its clear connection with the principles of the surrealist movement, which generates its creativity precisely from the shadows of the human psyche, fashion articulates its imagery in highly symbolized language.