The Quixotic Eighteenth Century (SCSECS 2022)

deadline for submissions: 
November 30, 2021
full name / name of organization: 
South Central Society for Eighteenth-Century Studies
contact email: 

SCSECS 2022 CFP: The Quixotic Eighteenth Century

In the questing and whimsical spirit of Don Quixote, SCSECS welcomes paper proposals including (but certainly not limited to!): literature and literary genre; interdisciplinary connections; sports history; food ways and culinary history; questions of borderland theory and identity; women in the eighteenth century; Enlightenment philosophy; children's literature; eighteenth-century pedagogies; textual and archival methodologies; and global networks of circulation (including trade, material culture, art, and intellectual thought). Graduate students welcome!

Please email your paper proposal with your name, affiliation, and contact information directly to a panel chair by November 30, 2021.

If you would like to submit a paper proposal, but don't think it's a fit for any of the panels listed, please contact conference organizer Sam Cahill at We look forward to seeing you in 2022!


Long 18th-Century Drama
Chair: Dr. Ashley Bender, Texas Woman's University

Anti-Racist Pedagogy in an Anti-CRT Era
Chair: Dr. Sam Cahill, Blinn College

Approaches to Overlooked Texts
Chair: Dr. Mimi Gladstein, University of Texas, El Paso

Female Quixotes: Romancing Difference in the Eighteenth Century
Chair: Dr. Sam Cahill, Blinn College

Getting Started with Digital Editions: A Workshop
Chairs: Dr. Emily C. Friedman, Auburn University, and Dr. Lauren Liebe, Texas A&M University
Emails: and

Taster of questions & resources when starting to create a digital scholarly edition, including the path through peer review with

This is a sample of the Programming4Humanists course regularly offered by the Center of Digital Humanities Research (CoDHR):

Interdisciplinary Approaches to the Long Eighteenth Century
Chair: Dr. Kathryn Duncan, Saint Leo University

Is it Only the Impossible Dream? Complete Makeovers, from Identity Changes to Landscape Transformations to Genre Repurposings--and More!
Chair: Dr. Kevin Cope, Louisiana State University, Baton Rouge

The long eighteenth century is full of near-complete metamorphoses: imposters who seemed to become someone else; terrain that switched from miserable bog to awe-inspiring landscape; genres that the ancients or early English and European authors used for one straightforward purpose that the moderns applied to other goals; kings, like Louis XIV, who occasionally tried to turn into ballet dancers. Whether with respect to social history or in consideration of technological capacity, most of these switcheroo acts seemed impossible during earlier times (or even in our own, seemingly open-minded era). For long eighteenth-century experimenters, even the world itself--even the hard, objective facts about our environment--were open to seemingly unachievable change. Who would have imagined that a drop of water could, with the help of a microscope, turn into a swimming pool for microorganisms? Who would have anticipated that scrawny little England could grow enough trees to build enough ships to convert the diverse globe into a unified empire? In an ovation to the famous top tune from Man of La Mancha, this panel will be open to those who want to explore the long eighteenth-century realization of seemingly impossible dreams. Papers can look either at those dreams themselves or at the items affected by radical makeovers or at the process of transformation or at anything that, so to speak, could help to turn squat little Sancho Panza into the mighty jolly green giant.

Samuel Johnson and His Circle
Chair: Dr. J. T. Scanlan

Papers on any subject relating to Samuel Johnson, his reading, his social-intellectual context, those he knew, or his influence on others.

Signs of the Times: 'Sub Rosa' Social and Political Commentary in Popular Literature and Traditional Music
Chair: Professor Gloria Eive, St. Mary's College (Emerita)

To monarchs and political leaders of the 17th 18th, and 19th centuries, social criticism, political opposition and protests, and expressions of discontent were very alarming and with varying degrees of success they often resorted to harsh repression and censorship to silence potential threats to their rule. Popular literature, the press, and traditional music often became expressive outlets for political and social criticism and discontent, often with very surprising results. This panel explores expressions of popular sentiment in the 17th 18th, and 19th centuries, their reception and consequences.

Strategies for Improvement: Quixotic, Utopian, Practical, or Personal
Chair: Dr. Susan Spencer, University of Central Oklahoma (Emerita)

Studies in Religion and the Enlightenment
Chair: Dr. Brett McInelly, Brigham Young University

Women Authors of the Long Eighteenth Century
Chair: Dr. Alice Cushman, Tarleton State University (Emerita)