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Sanglap: Journal of Literary and Cultural Inquiry 8: 2 (May-June 2022)
Call for Papers
Medical and Health Humanities: Literary and Cultural Contestations
Zealos: Studies in the Humanities, Social Sciences, Arts & Design, Volume 1, Summer 2022
Zealos: Studies in the Humanities, Social Sciences, Arts & Design is an annual peer-reviewed and open-access journal published by the School of Humanities and Social Sciences of the University of Nicosia (UNIC). We are now accepting contributions for the inaugural volume of Zealos to be published in Summer 2022. Zealos welcomes original and previously unpublished articles that fall within the scope of the journal and follow internationally sanctioned scientific standards. Submissions are free of charge. We welcome contributions in Greek or English.
Sandstorm is a peer reviewed arts and literature journal edited by students and faculty at the University of Texas Permian Basin. We publish the best poetry, fiction, art, and photography from around the world and West Texas. The editors look for work with a social consciousness, but as for that, we do not have any bias that leans toward the lyric or narrative impulse, or formal or open--either is acceptable so long as the writer displays a sense of the organic. We also respect the objective correlative, shunning any detached abstraction.
To submit, visit this link:
https://falconcommons.utpb.edu/cgi/submit.cgi?context=utpb-sand.
Extended Deadline, INCS 2022
19th Century Strata
March 24-27, 2022
Salt Lake City, Utah
Interdisciplinary Nineteenth Century Studies Conference
Held at John Brown University in Siloam Springs, Arkansas, October 13-15, 2022, this conference's theme is inspired by the artist Mary Cassatt’s paintings of girls and mothers with books, in particular “The Reader” on display at Crystal Bridges Museum of American Art.
(Early conference attendees will have the opportunity to tour Crystal Bridges.) Papers on women authors such as Marilynne
Call for Presentations:
The Fifth Annual Ann Radcliffe Academic Conference at StokerCon 2022
Abstract Submission Deadline: December 31, 2021
The Fifth Annual Ann Radcliffe Academic Conference at StokerCon 2022
CALL FOR PAPERS:
Game Studies Area: 2022 PCA/ACA National Conference.
The Game Studies area of the National Popular Culture Association and the American Culture Association Conference invites proposals for papers and panels on games and game studies for the Popular Culture Association/American Culture Association National Conference to be held April 13-16, 2022 at the Sheraton Seattle Hotel
in Seattle, WA.
The database for proposal submissions is now open.
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I. Topics of Interest
Call for Papers
FILM JOURNAL 9 “Screening the Box”
Journal Editor Sébastien Lefait
Society for Education & Research in Anglophone Cinema
http://filmjournal.org/wp-content/uploads/2021/04/FJ-CfP-Screening-the-Box-final-V3.pdf
The Institutional Hybridity of Film and TV
**The ACLA extended the deadline to Nov 30th!**
ACLA (American Comparative Literature Association) 2022 Annual Meeting
June 15-18, 2022, National Taiwan Normal University (probably also online)
Submit a proposal: https://www.acla.org/node/add/paper
A Handbook of Indian Indie Cinema (Routledge, 2022)
Edited by
Jayjit Sarkar
Anik Sarkar
Theatre History Focus Group 2022 CFP
Association for Theatre in Higher Education (ATHE) Conference
July 28-31, 2022; Detroit MI
ATHE’s Theatre History Focus Group (THFG) invites proposals for papers and panels dealing with the scholarship and pedagogy of theatre history for next year’s conference in Detroit, MI.
Submission Deadlines (later than normal this year):
Popular Culture Association
Seattle April 13-16, 2022
Subject Area: Film
Deadline: November 15, 2021
Scope of the paper topics accepted under this area:
This seminar reevaluates both the Aristotelian notion of peripety and alternative approaches in global literary theory to describe a moment of abrupt change or reversal of action. In doing so, it applies a clearly defined focus on such examples that bring turning points together with an insecure, potentially dangerous medium: water.
The heterogenous character of protean form of travel writing—letters, journals, logbooks, diaries, memoir, journalistic pieces, guidebooks, confessional narratives, accounts of seafaring voyages, literary picaresque narratives, scientific explorations, artists’ escapades, ventures of urban flâneurs, self-exiled wanderers, and fiction—resists easy demarcation. Its heterogeneity lies in the revisionary stance brought about in each narrative through the distinguishing figure of the traveller, mode of narration, means of mapping, or redefining of the landscape.
CRAFT CRITIQUE CULTURE is an interdisciplinary conference focusing on the intersections of critical and creative approaches to writing, both within and beyond the academy. This year’s conference recognizes the spatial and temporal context within and beyond a written text. Within the text, we examine what has been mapped by the margins as well as the communities that have been marginalized by the borders of the page. Here, margins refer to the open spaces on the page — not inhabited by words, punctuation, ornamentation, etc. This year’s conference begins at the margins: whether it be the page, the camera lens, the pictorial frame, the margins of philosophy, the undercommons of the university, the peripheries of the city....margins are everywhere.