/11
/04

displaying 1 - 7 of 7

UVa GradCon 2022: Networks

updated: 
Friday, November 26, 2021 - 2:15pm
Graduate English Students Association, University of Vriginia
deadline for submissions: 
Wednesday, December 15, 2021

We are delighted to extend the following updated invitation!

From April 7-9, 2022 the Graduate English Students Association at the University of Virginia will present its annual conference, titled and themed Networks. Our conference committee seeks papers by graduate students, as well as scholars, teachers, researchers, artists, and community leaders, institutionally affiliated or otherwise, on the topic of “networks.” 

Apocalypse, Dystopia, and Disaster Area

updated: 
Friday, November 5, 2021 - 3:07pm
Shane Trayers/ SWPACA
deadline for submissions: 
Sunday, November 14, 2021

Call for Papers– DEADLINE EXTENDED!

Apocalypse, Dystopia, and Disaster Area

Southwest Popular / American Culture Association (SWPACA)

 

43rd Annual Conference, February 23-26, 2022

Hyatt Regency Hotel & Conference Center

Albuquerque, New Mexico

http://www.southwestpca.org

Proposal submission deadline: November 14, 2021

Watch Words: John Furnival and Text (as) Art

updated: 
Friday, November 5, 2021 - 3:07pm
Greg Thomas, Natalie Ferris, Jeremy Millar / Royal College of Art
deadline for submissions: 
Friday, March 25, 2022

Watch Words: John Furnival and Text (as) Art

Royal College of Art, London, 25 March 2022.

Submission deadline 31 January 2022 (expressions of interest asap): johnfurnivalsymposium@gmail.com @watchwords22

Supported by the Paul Mellon Foundation

REVISED DEADLINE: Black Performing Arts: Sound, Movement, Image, Text (PCAACA National Conference, Virtual, April 13-16, 2022)

updated: 
Monday, December 13, 2021 - 4:24pm
Black Performing Arts Research Area (PCAACA)
deadline for submissions: 
Thursday, December 23, 2021

The Black Performing Arts Area provides a scholarly forum to share and disseminate research pertaining to the Black performing arts across expressive forms.  Broadly defined, the area focuses on all forms of performing and visual arts, including jazz, blues, gospel, hip hop, rhythm and blues, Caribbean music, dance, poetry, drawing, painting, sculpture, ceramics, photography, and acting.  In all these contexts we are interested in investigating the merger of aesthetic technique and embodiment across Black diasporic expressivity.  

Anti-Racism (The Humanities Center at Texas Tech Annual Conference in the Humanities, Lubbock, TX, April 22-23, 2022)

updated: 
Friday, November 5, 2021 - 3:07pm
Humanities Center at Texas Tech
deadline for submissions: 
Friday, December 31, 2021

The Humanities Center at Texas Tech Annual Conference 2022:

“Anti-Racism”

Texas Tech University, Lubbock, Texas

April 22-23, 2022

 

Keynote Speaker:

Dr. Keeanga-Yamahtta Taylor

Professor, African American Studies, Princeton University

2021 MacArthur Foundation Fellow

2021 Guggenheim Fellowship Recipient

Author of The Race for Profit: How Banks and the Real Estate Industry

Call for Chapters: Investigating the Hardwood – Interdisciplinary Analyses of and Reflections on Professional Basketball

updated: 
Friday, November 5, 2021 - 3:07pm
Till Neuhaus & Niklas Thomas
deadline for submissions: 
Monday, December 20, 2021

As a sport, basketball follows a certain set of rules and conventions which serve as a framework for players, coaches, and teams to play the sport. By their very nature, these rules are meritocratic which means that all participants are equal on the court, play by the same rules, and the only relevant (read as: game deciding) factors are effort, skill, and fortune. Such a perspective on basketball and sports leads certain fans and observers to statements such as “politics should be kept out of sports”.

Streaming Southeast Asia

updated: 
Friday, November 5, 2021 - 3:07pm
Emma Baulch, Monash University Malaysia
deadline for submissions: 
Monday, January 3, 2022

Streaming Southeast Asia seeks to map the landscape of streaming platforms in Southeast Asia and to explore the
plurality of its disruptive force. It applies a Southeast Asian lens to address stock questions elicited by the streaming
phenomenon worldwide. Possible topics for contributions include, but are not limited to: