The Hungarian Journal of English and American Studies (HJEAS) is

- devoted to literary, historical, film and cultural studies of the English-speaking world
- an international scholarly journal with an international audience available at major research centers and libraries throughout the world
- the oldest continuously published Central European scholarly journal in its field
- published twice a year by the Institute of English and American Studies, University of Debrecen, Hungary.

HJEAS

W. S. Merwin Across Borders

Université de Paris/ ENS Ulm, Paris, France, October 20-21, 2022

messagerie_saes@groupes.renater.fr

Plenary speaker: Ed Folsom, University of Iowa

As of March 2021, a year after the United States first entered nation-wide lockdowns in response to the global spread of COVID-19, the National Center for Health Statistics reported a 30% increase in drug overdose deaths across the country. Antidepressant, anti-anxiety, and insomnia prescriptions have also hit record highs. Now public health bodies are embarking on the most ambitious vaccination campaign in US history. Living through the chronic sequelae of these interlocking (and still unfolding) crises is bearable only by recourse to a pharmaceutical fix.

Taylor Swift, one of the best known musical artists of her generation, has left an indelible mark on popular culture and the collective consciousness. Although Swift is a perennial subject in the media, cast in both a positive and a negative light, few professional scholars have considered her work.

This multidisciplinary publication brings together leading scholars and practitioners, to explore what pulse phonation is, what it can do, and how it can be framed as a cultural phenomenon. This volume will draw on a broad range of approaches, from psycholinguistics and vocal training to new materialism and queer theory. By fusing critical theoretical approaches with performance, the book will consider the processes of production and perception of pulse phonation, its uses, and meanings in contemporary culture, music, theatre, and performance art, and the place it occupies in a broader reflection on voice and sound production. The book will conclude with a series of interviews and short statements from users and listeners of creaky voices.

Speculum Themed Issue: "Race, Race-Thinking, and Idntity in the Global Middle Ages" Call for Papers

Editors:

François-Xavier Fauvelle, Collège de France

Nahir Otaño Gracia, University of New Mexico

Cord J. Whitaker, Wellesley College