Conjugal Relationships: An Assessment of Sino / West Discourse and Aesthetics
Call for Papers
Conjugal Relationships: An Assessment of Sino / West Discourse and Aesthetics
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Call for Papers
Conjugal Relationships: An Assessment of Sino / West Discourse and Aesthetics
Forked Tongues: The Role of (Foreign) Languages in Literature, Film, and the Arts
2022 GCLR Graduate Student Conference
Venue: Hybrid - Online and In-Person (The Interdisciplinary Humanities Center at UC Santa Barbara)
Time and Date: Sunday, June 5, 2021
Contact: Email Rachel Feldman at gclr@complit.ucsb.edu with the subject line "Forked Tongues"
“The Politics of Sound” - Intersections | Cross-sections (IS|CS) Annual Graduate Conference 2022
Presented by the joint graduate program in Communication & Culture , at X* University & York University
March 18th - 19th, 2022 - Virtual and in-person programming.
Call for presentations: “The Politics of Sound”
Deadline for submissions: Monday January 10th, 11:59pm EST.
The Ernest Hemingway Society
American Literature Association Conference
May 26-29, 2022
Chicago, IL
Teaching the Power of Place and Setting in Ernest Hemingway’s Writing
The Ernest Hemingway Society
American Literature Association Conference
May 26-29, 2022
Chicago, IL
Documenting the Author: Examining the Role of and Impact of Author-Based Documentaries
This past April, the highly anticipated documentary, Hemingway (2021), premiered on PBS, coupled with watch parties and much discussion of reactions to the film. The reception of the documentary spurred debate, provided new perspectives of Hemingway through visual footage and images, and perhaps most importantly, presented the author’s life and work to a public audience, inviting both casual and dedicated readers to watch and learn.
The Ernest Hemingway Society
2023 Modern Language Association Convention
January 5-8, 2023
San Francisco, CA
Disability and Trauma in the Life and Works of Ernest Hemingway
Teaching and learning are always a series of voyages and returns.
Since the start of the Covid-19 pandemic, swaths of books about the pivot to online learning have emerged, many focused on practical classroom instruction as a much-needed kind of spiritual manna in a time comprised of uncertainty and abrupt shifts in normative praxes. These contributions capture a historical watershed moment where the voyage is key (e.g., Chan, Bista, and Allen, 2021; Jansen and Farmer-Phillips, 2021; Lemov, 2020; Reimers et al., 2020; Grays-Wiley, 2020).
Process: Journal of Multidisciplinary Undergraduate Scholarship invites submissions for Issue 6.2, On Apathy. For this issue, we seek thought-provoking, critical work from a range of disciplines and perspectives. Approaches to the topic might consider but are not limited to:
Social, emotional, mental, and/or physical fatigue/burnout
Desire to detach from reality
Lack of emotional engagement and motivation
Relationships to “The Great Resignation”
COVID apathy/vaccine apathy
Apathy standing in the way of institutional change
Apathy precluding social change
*Selected papers will be published in a post-conference volume with ISBN.
The twentieth-century literature and culture tended to explore and to celebrate subjectivity. But this tendency did not mean the turn to the self, but beyond the self, or as Charles Taylor puts it, “to a fragmentation of experience which calls our ordinary notions of identity into question”.
*Selected papers will be published in a post-conference volume with ISBN.
This conference will provide a deeper look into the dynamic and complex relation between construction, codes, language, expression, on one side and the crisis of representations, traumas, discontinuities and tensions in discourses, on the other. This will be conducted according to three research areas:
The anachronism
Narratives and discourse
*Selected papers will be published in a post-conference volume with ISBN.
This conference aims at exploring motherhood and its diverse cultural representations, while interrogating the ways in which such representations impact on individual and collective experiences of motherhood. Thus, we attempt at examining motherhood both as a personal experience and as an institution, as well as observing the nuances involved in the interaction between both.
The horror genre in film follows from the literary tradition established by Edgar Allan Poe, Bram Stoker and Mary Shelley, eliciting physiological and psychological reactions through suspense, gore, the macabre and the supernatural. Horror films transfix and terrify audiences in equal measure, unfailingly achieving suspension of disbelief because fear is a universal emotion. The position occupied by female characters in horror cinema is often ambivalent, ranging from victims of violence to perpetrators of dread. Relying in part on Julia Kristeva's theory of abjection, we will investigate representations of decaying female bodies in cinema. Kristeva defines horror as a breakdown in meaning caused by the loss of boundaries between self and other.
The theme of Critical Orwell: an online conference (12-14 April 2022) is how Orwell is critical and in crisis: how Orwell’s views and work matter; how Orwell operated as a judge and fault-finder, and occasionally as a pessimist; and how Orwell is a figure whose prejudices raise important questions about his canonical status in Anglo-American culture and beyond. How and why is Orwell critical now?
Call for papers
Critical Orwell invites proposals for 15-minute scholarly presentations that consider any aspect of Orwell’s life and work in relation to the conference theme: crisis; criticism; criticality.
In “Tarhands: A Messy Manifesto,” Métis scholar Warren Cariou rewrites William Carlos Williams’ poem “This Is Just to Say” into a time capsule to be opened in a hundred years:
This is just to say
We’ve burned up all the oil
and poisoned the air
you were probably hoping to breathe.
Forgive us.
It was delicious
the way it burned
so bright and
so fast.
What is the continued role of feminist theory and feminist analysis in literary studies today in these lands claimed by Canada? How and why is feminist analysis still relevant to our work? We seek contributions for a special issue of Canadian Literature on feminist critique and/in Canada today.