MMLA 2022: “Art and Politics: Pinter and the Nobel”
The International Harold Pinter Society
MMLA CFP 2022
“Art and Politics: Pinter and the Nobel”
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The International Harold Pinter Society
MMLA CFP 2022
“Art and Politics: Pinter and the Nobel”
From Curiosity Cabinets to Virtual Tours: Museums as Curated Objects and Dynamic Spaces (Panel at PAMLA Nov 11-13, Los Angeles)
Soliciting participants in a roundtable reflecting on the opportunities and challenges of teaching literature online. The discussion will focus on topics such as teaching close reading, fostering community, and asynchronous discussion and synchronous online meeting tools. Please submit a brief description of experiences and innovations in teaching literature online in synchronous and/or asynchronous modalities. Modern Language Association Conference, San Francisco, 1/5/23 - 1/8/23
Deadline for submissions: Tuesday, 15 March 2022
Julie Wilhelm, National University (jwilhelm@nu.edu )
Jewish Los Angeles "Jewish Literature and Culture" panel at the Pacific Modern Languages AssociationNovember 11-13, 2022 From Boyle Heights to Hollywood, and from Santa Monica to the Valley, Los Angeles has been a site for fantastic projections, colonial encounters, and organized struggles for Jews “moving West” since the late 19th century. This panel explores how L.A. as the other “promised land” is figured in the writings, films, artworks, and music of Jewish Californians and immigrants. From its settlement as a supposedly empty “virgin territory” to its more recent description as a city that has no memory of itself, Los Angeles is often stylized as a place without identity, history, or borders (Baudrillard, Mike Davis, Thom Andersen, Vanessa Place).
Speculative fiction has become the space in which imaginings of the future proliferate not totally free of the specter of history but free from the fatalism that subaltern communities often are forced to cope with under the weight of that history. As such, Indigenous writers, both in the US and in the rest of the world, have turned to the genre as a way to construct futurisms of survivance and resistance. If the weight of history has and does manifest itself in violence, both physical and otherwise, then the question of autonomy is central, for violence is perhaps the most basic violation of the individual and the communal.
"make, unmake, remake"
November 9th-13th, 2022
Society for Utopian Studies
Embassy Suites Charleston Historic District
Charleston, SC
#SUS2022
We invite creative and scholarly responses to our conference theme--"make, unmake, remake"-- with a particular interest in panels that offer interdisciplinary approaches to shared questions in utopian studies, including those that speak to post-pandemic life and renewal. Topics might include:
--"tinkering towards utopia" vs. large scale utopian plans
--arts and crafts, "craftivism," and sustainability
--reparations for slavery and other historical atrocities
--utopian labor; labor in dystopian times
This week-long workshop will bring together both critical and creative writers to support one another in the development of new written work across a wide range of “popular” genres, forms and approaches. “Genres Against the Market” aims to foster a temporary community to encourage radical writers to explore new methods for reaching unconventional audiences toward a critique of economic limitation and possibility. Leaving aside the familiar form of the conventional academic essay and monograph, we aim to host a gathering to explore how radical ideas that challenge reigning forms of social and economic power can be expressed and broadcast using “popular” formats of writing.
DEADLINE EXTENDED -- CFP: Performing Medievalism: Tricks, Tips and Tropes from Early Artistic Practice for the Modern-Day Performer