The Cinematic Codes Review is in need of a regular film reviewer(s). The reviewer has complete freedom to choose the films from past or present that they want to review. They can choose to do in-depth review essays that analyze one or two films seperately or comparatively, or six or so short surface reviews of a few films or series that they enjoyed watching. Reviews should be illustrated with screen-shots from the films you are describing. Non-regular scholarly essays from academics and articles about filmmaking from those inside the film industry are also warmy invited. CCR releases three issues per year, and a set of reviews is included in each issue. If more than one reviewer volunteers, reviewers can split the work. Reviewers can be graduate students in film or literary studies or a related field. They can also be academics, or filmmakers themselves who want to share their perspective on this industry. The next issue of CCR that will need the first set of reviews will come out in December 2022. There is no payment for this writerly work. You will receive free pdf copies of CCR and PLJ. CCR is very welcoming to all submissions, as most serious submissions are accepted.

Cinematic Codes Review: ISSN 2473-3385 (print); ISSN 2473-3377 (online): features works in all visual genres, especially those with moving pictures, be they music videos, feature films, documentaries, photography, or just about any other mode or genre of art that does not fall into the realm of “literature,” which will be the primary object of Anaphora’s Pennsylvania Literary Journal. The other term in the name is “codes” and the intention here is to go beyond the simple summary or theme of the projects criticized in this journal’s pages to the codes and meanings that are hidden beyond the superficial. The third component of the journal is a dedication to reviewing and criticizing the arts, as opposed to applauding and viewing them. A great review should help artists to make better art by pointing out flaws. There is no such thing as perfect art, as all art is still in its infancy, and the last couple of centuries have seen great leaps in its evolution. There is a long road ahead for art, and it’s the critics’ job to take it in the right direction. Artists are not children that need to be congratulated on their mistakes. They should see profits in honest negativity, and the downfall of creativity in false flattery. CCR's Website: https://anaphoraliterary.com/journals/ccr/