Reframing Hollywood

deadline for submissions: 

rolling

full name / name of organization: 

Dr Terence McSweeney & Dr Stuart Joy, Solent University (UK)

contact email: 

terence.mcsweeney@solent.ac.uk

Reframing Hollywood series at Mississippi University Press

Severed Limbs and Monstrous Appetites: (Re)Defining Fairy-Tale Horror from the Seventeenth Century to the Present 

A Special Issue of Literature (ISSN 2410-9789)

This Special Issue of Literature invites proposals for essays that investigate the subject of ‘fairy-tale horror’ in its various forms and iterations, from its educational function as a vehicle of rightful punishment in traditional fairy tales to the contemporary questioning of the boundaries between the genres of fairy tale and horror, in literature as well as in other media. 

Please read the full Call for Papers and Manuscript Submission Information.

 CENTERS AND PERIPHERIES: THE GLOBAL PREMODERN CALL FOR PAPERS AND SESSIONS April 20-22, 2023

EXTENDED SUBMISSION DEADLINE: OCTOBER 14, 2022

Texas Tech University Lubbock, Texas

Featuring Keynote Speakers: Jonathan Hsy, George Washington University and Ulinka Rublack, University of Cambridge 

Jonathan Hsy will be speaking on “Crafty Mobilities: Disabled Travel Writing and a Global Middle Ages”

Ulinka Rublack will be speaking on "The Triumph of Fashion in the Early Modern World"

In the rapid pivot to remote teaching at the beginning of the COVID-19 pandemic, many instructors turned to tools like Hypothes.is and Perusall that allow students to engage in social reading and annotation. These same tools are also built into many digital editions (like those in Literature in Context) and multimedia scholarly publishing platforms like Manifold and Scalar. The Digital Humanities Caucus calls for presentations on annotation in an eighteenth-century and/or contemporary context.

This project aims to provide the first global history of cultural studies as a field, with a particular focus on its institutional manifestations and the ways in which cultural studies has been taken up in different cultural and geographical settings to various ends. 

Call for chapter contributions (Edited book to be submitted for consideration with Routledge)

Emotions, affect, and moods do not happen to us. Rather, we are our emotions: they configure our manner of relating to, and existing within the world. Ontologies of emotion—in their embodied and symbolic dimensions—alter our perceptions, experiences, and predictions of ourselves and our environment in ways which problematize inside/outside and mind/body dualities. This is also true of the so-called ‘negative emotions’. Studies of negative affect abound in the humanities, from Aristotle’s fear and pity, Heidegger’s angst, and Robert Burton’s melancholy, to Sartre’s nausea, Germaine Greer’s rage, Kristeva’s disgust, and, more recently, Sianne Ngai’s “ugly feelings.”