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Contagions and Non-Human Animals: (Re)Viewing Disregarded Species in Real and Imagined Pandemics

updated: 
Wednesday, October 26, 2022 - 9:35pm
St. Thomas
deadline for submissions: 
Saturday, December 31, 2022

Contagions and Non-Human Animals: (Re)Viewing Disregarded Species in Real and Imagined Pandemics

Due to the pandemic and a personal issue that delayed publication, this CFP from late 2020 is being reopened. I am looking for 3 to 4 essays to add to what I have. Below is the premise for the volume.

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The impact of the pandemic and the threat that it poses to future human experiences has been well-documented. However, now that non-human animals are possible carriers and becoming infected, their experiences, while often overlooked, are nevertheless integrated into the worldwide pandemic.

POETRY, COMICS, PROSE: CALL FOR SUBMISSIONS

updated: 
Wednesday, October 26, 2022 - 9:34pm
WinC Magazine
deadline for submissions: 
Sunday, November 20, 2022

For more information, visit TINYURL.COM/WINCMAG

 

December 2022 Issue Submissions Call! 

Theme: Love. There are so many things that revolve around that word. It is the number one muse for so many creative people and it means different things to everyone. What does love mean to you? Who or what do you love? How does the word or sentiment make you feel?

We want to know what Autumn looks like through your eyes -- whether in the past, present or future, fiction or non-fiction and across genres (Sci-Fi, Fantasy, Slice of Life, etc.).  We are accepting the following storytelling formats:

Black Performing Arts: Sound, Movement, Image, Text

updated: 
Wednesday, October 26, 2022 - 9:34pm
Black Performing Arts Research Area (PCAACA)
deadline for submissions: 
Tuesday, December 20, 2022

The Black Performing Arts Area provides a scholarly forum to share and disseminate research pertaining to the Black performing arts across expressive forms.  Broadly defined, the area focuses on all forms of performing and visual arts, including jazz, blues, gospel, hip-hop, rhythm and blues, Caribbean music, dance, poetry, drawing, painting, sculpture, ceramics, photography, and acting.  In all of these contexts we are interested in investigating the merger of aesthetic technique and embodiment across Black diasporic expressivity.

From marginal popular culture to cultural polycentrism: a margin transformed into a center

updated: 
Wednesday, October 26, 2022 - 9:34pm
Danièle André, Popular Culture Association of France
deadline for submissions: 
Thursday, December 1, 2022

Abstract

This aim of this symposium will be to examine how marginalized cultures are constructed and produced. We will focus on the key players, the main artisans of this cultural production, as well as on the networks that result from it.  We will analyze the concepts of resistance, self-exclusion and the hyper-center faced with the process of cultural polycentrism. These tensions will have to be thought of in terms of contemporary art, long time periods and historicity.

 

Modernist Transmissions

updated: 
Wednesday, October 26, 2022 - 9:33pm
Société des Anglicistes de l’Enseignement Supérieur (SAES)
deadline for submissions: 
Thursday, December 1, 2022

"Modernist Transmissions”

 

Yasna Bozhkova (Université Sorbonne Nouvelle) and Nell Wasserstrom (Boston College)

 

Atelier Société d’Études Woolfiennes (SEW)/Société d’Études Modernists (SEM)

Congrès La Société des Anglicistes de l’Enseignement Supérieur (SAES)

Université Rennes 2, June 1-3 2023

 

[1/31: Deadline Extended] CFP: The Seventeenth International Conference of the Taiwan Association of Classical, Medieval and Renaissance Studies (TACMRS)

updated: 
Wednesday, January 11, 2023 - 1:51am
Taiwan Association of Classical, Medieval and Renaissance Studies (TACMRS)
deadline for submissions: 
Tuesday, January 31, 2023

Deadline extended to January 31, 2023

 

The Seventeenth International Conference of

the Taiwan Association of Classical, Medieval and Renaissance Studies (TACMRS)

 

20-21 October 2023

Chinese Culture University

Taipei, Taiwan

 

Call for Papers

 

Harmony and Chaos: The Dialectics of Order and Disorder