Way Out West: People, Places, and Politics beyond Boundaries
Artists and writers have long been deconstructing dominant notions of the American West. In 1957, jazz saxophonist Sonny Rollins released Way Out West, a record that drew inspiration from California landscapes, TV Westerns, and overlooked Black cowboys. The album cover depicts Rollins outfitted as a gunfighter in desert surrounds, complete with cacti and a sun-bleached cattle skull. Where you might expect to find a big iron on his hip, he cradles his tenor sax. Today, artists like Orville Peck continue to revise, rewrite, and expand the boundaries of what we might consider the story of the West both in sound, style, and location—the South African-born crooner, now based out of Canada, has gained major success on the U.S.