The Journal of Consent-Based Performance invites artists, educators, and scholars to interrogate our existing practices and propose new ideas in pursuit of increasingly more equitable, ethical, anti-oppressive, and effective consent-based practices within the fields of theatre and performance. We encourage authors to submit essays that do the work of:

• Analyzing or interrogating current or past understandings of and approaches to intimacy and consent—in theory or in performance practice, modeling continuous adjustment of artistic praxis

• Introducing or investigating theories related to consent and power imbalances in other fields, contextualizing these theories’ potential impact upon the performance industry

The terms “community” and “immunity” on both local and global scales have become semantically interdependent with unparalleled currency. They have triggered debates about stopping the propelling cycle of immunization that claims to benefit the community and raised concerns about the pressing need to maintain naturally invulnerable societies. Prominent among the theorists who highlight the close and problematic connection between the two notions is Roberto Esposito (2012), who posits that “community” points to difference and that “immunity” designates relation/contagion.

Undue Burdens: Reproductive Rights and Bodily Autonomy in the Long Eighteenth Century 

Eds. Fiona Brideoake, Ula Lukszo Klein, and Nicole Garret