M. Butterfly at 35

Sponsored Panel by the David Henry Hwang Society for the Comparative Drama Conference

2023 marks the 35th anniversary of David Henry Hwang's M. Butterfly.  We welcome  papers that engage with Hwang's Tony-winning play, the David Cronenberg 1993 film as well as the 2017 rewritten Broadway revival.   We also encourage discussion of various productions of either play.

Call for papers for a Special Cluster in a/b: Autobiography Studies 

Spaniards across the Americas after the Spanish Civil War: “I am from the Country Called Exile” / Españoles en las Américas después de la Guerra Civil: “Soy del país del exilio”  

The New Ray Bradbury Review Issue 8 (2024)

For the next issue of The New Ray Bradbury Review (NRBR), we invite articles which examine the theme of space, broadly construed.

If this year's NeMLA Convention centers around the thematic of "surplus," this panel will consider its corollary in the problem of "scarcity." Situating our inquiry in the Global Cold War, which is shaped by the afterlives of decolonization, this panel asks: how might scarcity inflect our understanding of this period? Does it simply connote a lack or loss of unfulfilled revolutionary promises? Or does it point to a system of material debt that shapes cultural expression? Or, perhaps, scarcity might indicate a purposeful obfuscation of meaning that is consequently withdrawn from instrumentalization by political life, therefore incommensurate with nationalist or neo-imperial projects in the twentieth century.

The work of Bernardo Bertolucci (1941-2018), in its preoccupations, scope and politics, exemplifies that of the post-war generation of radical European auteurs: initial films made in the shadow of Neo-Realism, and under the influence of the French New Wave (The Grim Reaper, Before the Revolution); a full embrace of the events of 1968 (Partner, Agonia); a late modernist art cinema that interrogated the scandal of Italian war-time history and exerted a profound influence on other film-makers – particularly those of New Hollywood (The Conformist, The Spider’s Stratagem); a global “success de scandale” with Last Tango in Paris, which was still in the headlines half a century later, via #MeToo; a particularly 1970s