MSA 2024: Gendered Migration in Transnational Modernism
Gendered Migration in Transnational Modernism
MSA 2024, CHICAGO, NOVEMBER 7-10, 2024
Deadline for abstract submission: March 29, 2024
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Gendered Migration in Transnational Modernism
MSA 2024, CHICAGO, NOVEMBER 7-10, 2024
Deadline for abstract submission: March 29, 2024
15th Annual International Small Cinemas Conference:
Changing Policies, Transforming Audiences and Work Practices In-flux
November 5-7, 2024
Zagreb, Croatia
The 15th Annual International Small Cinemas Conference is organized by the Department for Culture and Communication, Institute for Development, and International Relations (IRMO), Zagreb, Croatia, in partnership with the Industry Program of the Zagreb Film Festival (ZFF).
Keynote lecturer: Katharine Sarikakis, University of Vienna
Conference theme:
**EXTENDED DEADLINE MARCH 15th**
The 27th Southern Writers/Southern WritingGraduate Student Conference
University of Mississippi
July 26th-27th, 2024
Call for Submissions
“Southern” Legacies in the 21st Century
The Southern Writers/Southern Writing Conference (SW/SW) is an interdisciplinary conference, welcoming graduate students, creative writers, activists, and community members with interest in the U.S. or Global South from all departments and fields of study. The 27th edition of SW/SW will be held at the University of Mississippi from July 26th-27th, 2024.
Black Feminist Excesses
(MLA 2025 Proposed Working Group)
This working group aims to theorize excess, desire and unbridled being in Black feminist and womanist studies. How does Black feminism and womanism engage disparate, wayward, or fringe forms of identity, embodiment, materiality, affect and culture? How can concepts like ‘indulgence’ or ‘aspiration’ be considered or troubled among current theoretical frameworks? What do you think is on the horizon for Black feminist and womanist thought in moving beyond the postfeminist moment?
Call for PapersSeeking 250-word abstracts on narratives of the tech industry and the digital beyond the Valley itself. How does Silicon Valley the place become a global imaginary in literature, film, television, and public discourse? (include bio+CV)
Deadline for submissions: Friday, 15 March 2024
Call For Papers
British Society of Sports History Annual Conference
Bishop Otter Campus, University of Chichester, Chichester, UK
Thursday 22nd August 2024 – Friday 23rd August 2024
This will be an open-themed conference. Submissions based on original research are welcomed by UK and overseas scholars and can relate to any aspect of sport, physical recreation, education and culture, as considered from a historical perspective.
KEYNOTE SPEAKERS
35-Word MLA CfP
This proposed roundtable, based on the work of the Working Group on Academic Forms (https://keyforms.bham.ac.uk), aims for a critical re-evaluation on how established academic forms define the intellectual work we do in the humanities.
Extended CfP
Essays sought for a survey of 1960s military operations such as: COINTELPRO (US); CHAOS (US); Phoenix (Vietnam); Condor (South America); ORDEN (El Salvador); Jakarta (Indonesia); OBAN (Brazil) and other operations that networked societies prior to the Internet. Focus on how evident or non-evident the communications were that supported these operations; the staffing and hardware; how operations were used; and, how they contributed to social and financial inequality and political polarization, in the populations they monitored.
The Seventh Annual Ann Radcliffe Academic Conference at StokerCon 2024
Conference Date: Friday, May 31, 2024
Conference Location: San Diego Mission Bay Marriott, 8757 Rio San Diego Drive, San Diego, California, USA, 92108 and via Hopin
Conference Website: https://www.stokercon2024.com
From the mysterious lights in the windows of the William Heath Davis House to the footsteps in the seemingly empty rooms of the Old Point Loma Lighthouse, San Diego has long been home to stories of the uncanny. The 2024 StokerCon convention is eager to channel the creative potential of San Diego’s history, culture, and communities.
Across English and related fields, graduate students are developing engaging, inventive, and transformative projects that envision their disciplines in new and exciting ways. In an effort to highlight this “next-gen scholarship,” this session will feature eight (8) 5-minute lightning round presentations to offer a snapshot of where the field is headed. (Please visit the MLA website for more information on innovative sessions at the MLA annual convention.)
Examples include, but are not limited to:
Thinking about South A archival practices and women’s fiction, this panel invites papers on SA women’s fictional narratives questioning whose experiences can be preserved, exhibited, remembered in the public spaces (curations, exhibitions, museums). 300-word abstracts.
Japan has been historically situated as uniquely isolated from the broader world. Yet, the Meiji era (1868-1912) of Japan was defined by intentional efforts on the part of the Japanese government to respond to the pressures of global capitalism such that Japanese cultural identity was preserved not against but through a process of modernization and industrialization. The restoration of imperial power in explicit reference to the monarchies of Europe, including the dramatic successes of Queen Victoria in England and Emperor William I of Germany, was part of this project.
2024 Call for ProposalsWe Are All Connected:Fostering Intersectionality and Solidarity
The annual conference of The Peace and Justice Studies Association
Hosted by The Justice House Program at Niagara University
OCTOBER 24-27, 2024 | Niagara, New York, USA
Proposal Submission Deadline: May 01, 2024
Early Bird Registration: May 1 – July 15, 2024
Draft Schedule Released: June 3, 2024
SHEL-13, Studies in the History of the English Language
Fairleigh Dickinson University in Madison, New Jersey, October 17-20, 2024 co-hosted by The College of New Jersey, Ewing, NJ
Conference Theme: The History of English as a (G)local Language
How are poets, novelists, filmmakers, and other artists reconfiguring the Western genre? How do 21st century Westerns challenge the genre's enduring exclusions and myths? What do indigenous, queer, feminist, Black, and Asian-American Westerns make visible?
Please send a 200-word proposals and brief bio