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Prospero 29:2024 A Journal of Foreign Literatures and Cultures

updated: 
Tuesday, March 12, 2024 - 3:48pm
Prospero - A Journal of Foreign Literatures and Cultures, University of Trieste, Italy
deadline for submissions: 
Friday, April 12, 2024

Prospero, Rivista di Letterature e culture straniere (A Journal of Foreign Literatures and culturesUniversity of Trieste, Italy, invites contributions for the forthcoming general issue, volume XXIX (2024). Prospero is a double-blind peer-reviewed, printed and entirely open-access journal, published annually by EUT, Trieste University Press. It is indexed by MLA, Erih+, DoAJ, ProQuest. It publishes articles and essays in the field of literary studies which consider texts and textual analysis from a wide hermeneutic, philological and historical perspective.

CfA: On_Culture #18 "Frames" (Spring 2025)

updated: 
Tuesday, March 12, 2024 - 3:48pm
On_Culture: The Open Journal for the Study of Culture
deadline for submissions: 
Wednesday, May 15, 2024

Call for Abstracts for Issue 18 (Spring 2025)

 

Frames

Frames are ever-present. We read, use, and propagate them in our daily, as well as academic life. Their definition is difficult to put into words, just like it boggles the mind to imagine in how many ‘frames’ we are entangled ourselves. Frames serve many functions. They reduce the complexity of the world through the art of selection. Be it four pieces of ornamented wood that surround the canvas, an imaginary line on a map dividing one nation from another, or a set of tools used to present an argument, innumerable frames (‘models’, ‘schemas’, or ‘attitudes’) organize our experience. 

Imperfect Women Writers

updated: 
Tuesday, March 12, 2024 - 3:48pm
Margaret Fuller Society
deadline for submissions: 
Friday, March 22, 2024

  “Imperfect Women Writers” sponsored by the Margaret Fuller SocietyModern Language Association 2025 | January 9–12, 2025, New Orleans In Memoirs of Margaret Fuller Ossoli, the editors cite an anonymous correspondent of Fuller’s, who writes, “Margaret was one of the few persons who looked upon life as an art, and every person not merely as an artist, but as a work of art. She looked upon herself as a living statue, which should always stand on a polished pedestal, with right accessories, and under the most fitting lights. She would have been glad to have everybody so live and act. She was annoyed when they did not, and when they did not regard her from the point of view which alone did justice to her.

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