“‘I have no Brother, I am like no Brother’: Shakespeare’s Outsiders.”
Shakespeare’s dramas in all their generic types—history, romance, comedy, and tragedy—show an interest in exploring what sustains sociopolitical orders, what damages them, and what the human consequences are when such damage occurs. A great deal may be revealed about the viability of a society if we attend to those who are cast as (or see themselves as) aliens, foreigners, or non-conformists with regard to that society’s ruling order, mores, laws, and other key aspects. Bearing in mind that characters who offer the greatest difficulty in terms of identity and relation may be the most valuable objects of study, we will consider a range of Shakespeare’s “outsiders” for the understanding they can provide.