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International Journal of Humanities, Art and Social Studies (IJHAS)
ISSN : 1832-624N 2974-5962 (Print)
****September Issue****
https://flyccs.com/jounals/IJHASS/Home.html
Scope
International Journal of Information Technology (IJIT)
https://flyccs.com/jounals/IJIT/Home.html
ISSN : 1834-624N 2974-5962 (Print)
****September Issue****
Scope
*** DEADLINE EXTENDED TO JUNE 16 ***
PAMLA Annual Conference
Palm Springs, California
November 6-10, 2024
"Rhetorical Approaches to Literature" (Paper / Panel)
GROWING UP, SEX ED
A Boyhood Studies special issue
berghahnjournals.com/boyhood-studies
Interim Editors:
Jonathan A. Allan, Brandon University
Chris Haywood, Newcastle University
Call for Contributions
Textures in Nineteenth-Century Material and Literary Cultures
Eds. Ariane de Waal and Anja Hartl
SUNY Press
We invite additional contributions to an edited collection on Textures in Nineteenth-Century Material and Literary Cultures, which is under contract for publication in the series Studies in the Long Nineteenth Century (series editor: Pamela Gilbert) at SUNY Press.
We are looking for a few more chapter proposals to expand our forthcoming edited collection, New perspectives on the legacy of Daphne du Maurier. The collection explores du Maurier’s work in adaptation, including her most famous work Rebecca and its many adaptations. It has already had some interest from a publisher.
As part of the forthcoming Shakespeare and Race Festival at Shakespeare’s Globe, we are delighted to announce a two-day symposium to be held in London on 25-26 October 2024.
Our festival theme is ‘Who Owns Shakespeare?’ and aims to examine the contested space that Shakespeare occupies in the world of theatre, academia and the public sphere.
We are inviting paper submissions for individual 45-minute sessions, which includes time for audience Q&A, engaging with the conference theme: ‘Who Owns Shakespeare?: Adaptation, Appropriation, Authority’.
Topics may include (but are not limited to) the following:
Adaptation, appropriation, translation
Early modern and modern-day performance