The U.S. South is often a forgotten space within ecocritical discussions, yet it provides fruitful ground for thinking about environmental issues. In 2019, in the first edited collection of essays on the topic, Zachary Vernon notes that focusing attention on this bioregion might help “provide a way out of the limitations of thinking too locally or too globally,” and it might inspire a group of stakeholders to come to the table as well (7). One problem with ecocritical approaches is the long history of representing the U.S. South as an “internal other in the national imagination: colonized, subordinate, primitive, developmentally arrested, or even regressive” (Watson 254).

The Editors of Vestron Horror Films are looking for four additional chapters about films not taken yet for other contributors. We want to produce a book with analysis on most of Vestron horror’s catalogue and, thus, we need chapters on:

-Communion (Philippe Mora, 1989)

-Amsterdamned (Dick Mass, 1989)

-Dolls (Stuart Gordon, 1986)

-Gothic (Ken Russell, 1986)

-Chopping Mall (Jim Wynorski, 1986)

-The Company of Wolves (Neil Jordan 1984)

-The Gate (Tibor Takács,1987)

-Revenge of the Living Dead Part 3 (Brian Yuzna, 1993), 

-Blue Steel (Kathryn Bigelow, 1990)