To honor the work of Elizabeth J. Bryan on Lawman and the English prose Brut, this session focuses on the collaborative nature of Brut texts.  By examining both literal collaborations between scribes, illuminators, and compilers, and collaboration broadly conceived, as between readers of Brut texts or between texts and editors to derive meaning, for instance, papers in the session will offer insight into the intricacies of the production and reception of Brut manuscripts.  Papers will advance conversations that, in Professor Bryan’s words, “make room in our critical model for the multiple participants of a manuscript text” (Collaborative Meaningxiv).

The Signum Collaboratory and Signum Press Present A Call for Papers

Creative Philology: Studies in Speculative Fiction, A Tribute to J. R. R. Tolkien

The Second Plague Pandemic inflicted unimaginable hurt and triggered multiple crises (demographic, spiritual, political, socio-economic), whose impact informed new artistic and literary modes of expression such as the danse macabre or the carnivalesque. 

This panel examines how writers and artists processed pandemic experiences, both in terms of actual outbreaks and long-term repercussions (such as peasant revolts or multi-generational trauma). Where do we find traces of ‘long plague’ (analogous to ‘long Covid’), and what form do they take? How do pandemic experiences affect collective memory and shared narratives? And what theoretical frameworks might be helpful for studying (post)pandemic discourse in literature and art?

Conference: 22-23 August 2024 (online)

Scientific Committee:

Professor Wojciech Owczarski – University of Gdańsk, Poland

Professor Polina Golovátina-Mora – NTNU, Norwegian University of Science and Technology

​CFP:​

CFP: Shoreline Shakespeares:
6th Conference of the Asian Shakespeare Association (Iloilo, 4-6 December 2024)

A shoreline is a dynamic border, being created, erased, and reshaped by the eternal dance of tide and time. It separates yet connects ecosystems, identities, and civilizations. Shorelines set boundaries but also open gateways to different experiences and perspectives. The shoreline serves as a focal point for exploration, transition, and adaptation. “Shoreline Shakespeares” welcomes papers that examine the literal and metaphorical meanings of the shoreline in Shakespeare and his afterlife. Topics may include, but are not restricted to:

The U.S. South is often a forgotten space within ecocritical discussions, yet it provides fruitful ground for thinking about environmental issues. In 2019, in the first edited collection of essays on the topic, Zachary Vernon notes that focusing attention on this bioregion might help “provide a way out of the limitations of thinking too locally or too globally,” and it might inspire a group of stakeholders to come to the table as well (7). One problem with ecocritical approaches is the long history of representing the U.S. South as an “internal other in the national imagination: colonized, subordinate, primitive, developmentally arrested, or even regressive” (Watson 254).

The Editors of Vestron Horror Films are looking for four additional chapters about films not taken yet for other contributors. We want to produce a book with analysis on most of Vestron horror’s catalogue and, thus, we need chapters on:

-Communion (Philippe Mora, 1989)

-Amsterdamned (Dick Mass, 1989)

-Dolls (Stuart Gordon, 1986)

-Gothic (Ken Russell, 1986)

-Chopping Mall (Jim Wynorski, 1986)

-The Company of Wolves (Neil Jordan 1984)

-The Gate (Tibor Takács,1987)

-Revenge of the Living Dead Part 3 (Brian Yuzna, 1993), 

-Blue Steel (Kathryn Bigelow, 1990)