This year’s 50th anniversary of the publication of Stephen King’s first novel, Carrie, led to a celebration of the writer’s half century of popularity, along with his garnering ever-increasing attention and acclaim from literary circles. Margaret Atwood’s essay in The New York Times this March spoke of the book’s prescient themes, while underscoring how King’s nearly 80 texts continue to be ahead of the curve in terms of their all-inclusive progressive themes, stating:

As audience interest in late-night talk shows and glossy print magazines dwindles, a group of internet-based series now provides celebrities the platform to promote their newest project and allegedly “reveal” more of themselves. These series use different techniques to produce revelatory moments tailor-made for social media circulation. First We Feast/Complex’s Hot Ones and Amelia Dimoldenberg’s Chicken Shop Date maximize cringe, whether by the guest’s physical pain generated by spicy wings or their interpersonal torment produced by Dimoldenberg’s awkward questioning.

Conference 5-6- December 2024: in-person (Gdansk, Poland) and online (via Zoom)  

Scientific Committee:

Messengers from the Stars is an international, peer-reviewed, open-access journal, offering academic articles, reviews, and providing an outlet for a wide range of creative work inspired by Science fiction and Fantasy. The 2025 issue will be dedicated to the following theme:

‘Getting Medieval’: Fantasy and the Middle Ages

About the Conference

56th Annual Convention of the Northeast Modern Language Association, March 6-9, Philadelphia, PA, Philadelphia Marriott Downtown.

Primary Area / Secondary Area
Cultural Studies and Media Studies / Interdisciplinary Humanities

Chair(s)
Aíne Norris (Old Dominion University)
Kara McCabe (Tufts University)

Virginia Woolf famously announced her cosmopolitan aspirations as a rejection of exclusionary patriarchal patriotism by declaring in Three Guineas (1938), “as a woman, I have no country. As a woman I want no country. As a woman my country is the whole world” (TG 229). In this statement Woolf echoed the classical etymology of cosmopolitanism coined by the Cynic Diogenes, according to whom a cosmopolitan is defined as “a citizen of the world” (Martha Nussbaum, Cosmopolitan Tradition 1–2). But how does the classical philosophical notion of cosmopolitanism evolve in late-Victorian and modernist literature in the context of colonialism, capitalism, industrialism, and ever-increasing transnational mobility during the period?

About the Journal:

The Journal of Languages & Translation is a distinguished, peer-reviewed, open-access, and biannual journal committed to publishing high quality and original research in English, Arabic, French, and Spanish. Covering the latest developments in linguistics, Didactics, and translation. The journal serves as a platform for scholarly exploration and advancement.

Publication Opportunity: