Call for Papers

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Southwest Popular / American Culture Association (SWPACA)

46th Annual Conference, February 19-22, 2025

Marriott Albuquerque

Albuquerque, New Mexico

https://www.southwestpca.org

Proposal submission deadline: October 31, 2024

Conference online: 17-18 October 2024

Scientific Committee:

Professor Wojciech Owczarski – University of Gdańsk, Poland

Dr. Ricardo Rato Rodrigues –  Maria Curie-Sklodowska University, Poland

CFP:

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Since coalescing into a formal discipline in the 1970s, Translation Studies has both hinged upon and facilitated conversations about power. For better or for worse, the movement of a text from one form into another necessitates reflection upon hierarchy, periphery, and justice. From Spivak's native informant, to Chamberlain's feminist critiques of canonical translation theory, to Venuti's identification of translation as a seeking of utopia, analyses of the connection between (dis)empowerment and translation abound. However, what happens to and with translation when disempowered actors seek agency? How can translation be examined, utilized, and conceptualized when disempowerment demands revolution?

Weeks after the death of Nobel Prize-winning author Alice Munro this year, her daughter Andrea Skinner disclosed the longstanding sexual abuse she'd suffered as a child at the hands of her stepfather, Munro’s husband, Gerald Fremlin—abuse about which Munro had known and stayed silent. The disclosure is but the latest revelation to throw into question the legacy of a revered cultural icon. Neil Gaiman, Louis CK, Jean Vanier, and Avital Ronell are only a few public figures to be reassessed in recent years in the wake of accounts of sexual abuse.

The Charles Olson Society will sponsor a session at the annual American Literature Association Conference, to be held in Boston, May 21-24. We are interested in abstracts that examine the influence of Charles Olson and/or other Black Mountain Poets on poetic practices and on subsequent generations of poets. A variety of poets took up the innovative ideas of figures like Charles Olson, Robert Creeley, Robert Duncan, John Wieners, Ed Dorn and others associated with Black Mountain. How have the practices of this fundamentally important school of poetics been extended, transformed, and/or resisted by poets from subsequent generations?

The MELUS Women of Color Caucus (WOCC) seeks scholars whose literary analysis (i.e., the examination of fiction, poetry, non-fiction, plays, film, music, and/or TV) of works by women of color centers approaches to literary research, especially work that makes visible or accounts for women of color’s invisibility and/or seeks to fill gaps in the canon and archives around experiences. Our models for this work include scholars and theorists such as Saidiya Hartman, Christina Sharpe, and Audre Lorde, and essayists such as Cathy Park Hong, Claudia Rankine, Elissa Washuta, and Carmen Maria Machado. These approaches can include: