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Ekphasis as Resistance: Empowering Marginalized Voices Through Art and Literature (roundtable)
Literary forms like the poems, novels, and short stories are often understood to be stand-ins for political resistance in critical theoretical debates especially since the dominance of post-al theories within literature departments. For literary forms emerging in the peripheries of the literary world system yoked by the global literary marketplace, the signification of resistance acts as a marker of value. This is superimposed on the idea of literary forms emerging from the peripheral locales of the literary world system that are read as derivative and mimetic of literary forms emerging from the core of the same system.
This roundtable invites proposals that explore the intersection of visual, aural, and verbal frontiers. Although ekphrasis and musical form mirror words, they directly affect the emotions at a primordial level not available to verbal articulation. Ekphrasis translates words into visual images, whereas musical form translates them into sounds and rhythms. What are the differences between these modes of expression and how they affect their audiences?
This roundtable is part of NeMLA's 56th annual convention, to be held in Philadelphia, PA, March 3-6, 2025. To submit propoosals, follow these steps.
Navigate to nemla.org
Navigate to Convention>Call for Proposals>Ekphrasis and the Music of Literature
Massachusetts Institute of Technology | March 22-23, 2025 | Hybrid Format
In 2024, we are surrounded by crisis in nearly every sector of our world(s): environmental, political, social, cultural, and interpersonal. Crisis is not a new nor a unique phenomenon: Indigenous societies have faced decimation, war has torn through family and political associations, and environmental devastation cycles again and again.
The publication of Northrop Frye’s Anatomy of Criticism in 1957, in some ways, marked the end of New Criticism. The two approaches—structuralism and New Criticism—represent two ways of seeing texts as unities, yet produce entirely different views on key issues, such as how texts might be grouped together, the importance of historical context to the literary text, and the role of broader cultural systems in shaping a text’s meaning. We might wonder now whether or not these issues and ideas from New Criticism and structuralism, rooted in mid-20th century literary theory, continue to offer valuable insights and methodologies.
We are delighted to announce that the submissions deadline for paper, panel and roundtable proposals for the Conference “The Street and the City – Challenges”, taking place at the University of Lisbon (5-6 December 2024), has now been extended until 2nd October 2024.
Submissions to the conference are invited from a broad range of disciplines including literature, cultural studies, anthropology, history, politics, the social sciences, and other related disciplines.
We welcome proposals for papers, pre-organised panels and roundtables.
Climate Fiction: Ecological Dimensions
Concept Note:
I'm writing to share the CFPs for the two Eudora Welty Society sessions that will be featured at the 2025 American Literature Association Conference in Boston at the Westin Copley Place (May 21-24, 2025). ******************** 1. Welty’s Sheltered Daring and Furtive FeminismEudora Welty concludes her literary autobiography One Writer’s Beginnings with the self-summation, “[a]s you have seen, I am a writer who came of a sheltered life. A sheltered life can be a daring life as well. For all serious daring comes from within” (104).
Call for Papers: Nineteenth-Century Women Writers, Astronomy, and Gender
This is a Call for Papers for a special issue of the online open-access double-blind peer-reviewed journal [Inter]sections, titled Laughing in the Face of Evil: Humorous Perspectives on Perpetrators in Contemporary American Literature and Popular Culture. We invite papers that ask what humor can contribute to our understanding of perpetrators by examining a selection of works from contemporary American literature and popular culture. Does humor help demythologize certain perpetrators whose international fame turned them into quasi-mythical figures? Can the ownership of humorous content about a traumatic situation or process endured by a specific marginalized community be transferred to other communities?