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displaying 1 - 6 of 6

CFP: Translators, Texts, and Contexts: Reclaiming Human Agency in the Age of AI

updated: 
Monday, January 12, 2026 - 3:16pm
Department of Translation, Lingnan University, Hong Kong
deadline for submissions: 
Tuesday, March 31, 2026

Translators, Texts, and Contexts: Reclaiming Human Agency in the Age of AIHosted by the Department of Translation, Lingnan University, Hong Kong11-12 December 2026  |  M+, Kowloon, Hong Kong

As artificial intelligence (AI) sweeps through the landscape of language mediation, the classical trio of Translators, Texts, and Contexts remains central to understanding the art, ethics, and politics of translation. While AI tools offer unprecedented efficiencies in text processing, they often lack the human capacity for nuanced judgment and cultural contextualisation that remain essential to traditional translation studies scholarship.

CFP Food and Censorship (publication)

updated: 
Monday, January 12, 2026 - 3:16pm
Food&
deadline for submissions: 
Saturday, January 31, 2026

Food& (https://foodand.eu/) is an experimental publishing project based in Berlin that examines encounters between food and wider social, cultural and political contexts. Previous issues have addressed themes such as Food & Bathrooms, Food & Nuclear War, Food & Gravity and Fast Food & Patents. Food& invites contributions for its upcoming themed issue on Food and Censorship. The issue explores how questions of restriction, regulation, visibility, silence and control shape the production, circulation and mediation of food, food knowledge and food cultures.

International Congress on Narrative and Aesthetics in Film, Series, TV, and Audiovisual Experimentation

updated: 
Monday, January 12, 2026 - 3:16pm
congresocine
deadline for submissions: 
Tuesday, February 3, 2026

The International Congress on Narrative and Aesthetics in Film, Series, TV, and Audiovisual Experimentation is a platform for discussion and dissemination of studies and projects related to audiovisual creation in its various areas of production and distribution. It encompasses research related to cinematography and film history across a wide range of fields (sociology, industry, aesthetics, etc.), formats (fiction, documentary, animation, music videos, etc.), and genres (from thrillers and comedies to the connections between film and comics or video games).

Atras Journal: Call for Papers - Varia, Volume 7, Issue 2, July 2026

updated: 
Monday, January 12, 2026 - 3:16pm
University of Saida, Dr. Moulay Tahar
deadline for submissions: 
Wednesday, July 15, 2026

ATRAS Journal is now inviting scholars from around the globe to submit their unpublished manuscripts for publication. The journal aims to contribute to the body of knowledge by publishing original papers in the fields of literature, gender studies, cultural studies, linguistics, education, language studies, translation, social sciences, and the arts. Researchers are invited to submit their manuscripts in English, Arabic, and French.

Presentation 

ATRAS Journal is inviting researchers from the international academic community to submit their unpublished manuscripts for publication. 

Accepted papers after review will be published for volume 7, issue 2 on July 15th, 2026

Osgood Perkins and 21st-century Horror

updated: 
Monday, January 12, 2026 - 3:15pm
Dawn Keetley / Lehigh University
deadline for submissions: 
Tuesday, March 31, 2026

Osgood Perkins is emerging as one of the most significant directors of horror in the 21st century. His films are wildly diverse and have elicited an equally wild diversity of response from viewers and critics. Perkins has thought a lot about horror, has frequently spoken about its larger meanings in interviews, and is committed to its centrality as a genre – something he articulates in this 2025 conversation with Interview Magazine:

PAAS Conference 2026 ”Morphing America”, 16-18 September 2026, Szczecin, Poland

updated: 
Tuesday, February 3, 2026 - 3:51am
Institute of Literature and New Media, University of Szczecin
deadline for submissions: 
Sunday, March 1, 2026

“Meaning emerges in the encounter — in the relations between bodies, images, and the world,” wrote Vivian Sobchack in her Carnal Thoughts (68); and it is precisely these shifting relations that shape contemporary — digital — American identity. In the digital environment, such relations do not stabilise; they reconfigure themselves, recalibrate, and adjust across platforms, archives, sensors, and interfaces.